House with Wood kiln and studio for sale, Vancouver Island

SORRY FOLKS I”M WORKING ON GETTING THE IMAGES TO WORK, THEY SEEM TO ON SOME BUT NOT ALL COMPUTERS CHECK BACK

South-facing house, 2,500 sq ft, on 4 acres in rural location approx 15 minutes from Parksville, 40 mins from BC Ferries to Vancouver and one hour from Mt Washington world-class ski facilities.
The house has 5 bedrooms, 2 bathrooms, 500 sq ft studio in walk-in basement, heating is by two efficient wood-stoves with electric baseboards in bedrooms. There are 2 wells and a septic system, a car-port and wood-shed and other out-buildings. The property is fully fenced, partially treed and includes a deer-fenced garden area approx 75×75 ft
The wood-kiln is housed in its own building which includes space for wood storage. The kiln has two chambers each approx 50 cubic feet, and bourry-box. Kiln can be fired using one chamber or two. Both chambers can reach cone 10 within 36 hours using approximately 1.5 cords of wood. Local saw-mills supply waste slabs and off-cuts of maple, fir and yellow cedar.
The house is currently divided into two parts, the main or front section with two bedrooms being rented out to potentially long-term tenants as a mortgage-helper. Location is 2kms from a very popular Provincial Park enhancing Gallery traffic potential. It is also en-route to Tofino, a year-round resort on the West coast of the Island. The property is zoned for a second dwelling and has low property taxes.
Asking price: $350,000.00

Please contact Alison Tang, [email protected] for details and further information

Master Series Workshops @ Greenwich House Pottery NYC

A great line up of upcoming workshops:“Two Days with Jeff Shapiro”, November 21-22, 2009In this workshop we will address issues of wood firing, aesthetics vs efficiency, romanticism/ pragmatism, and creative thinking. Demonstrations will include making faceted triangular bottles from wheel thrown forms, slab construction, as well as altered throwing of tea bowls, tea cups and sake cups. We will also look at trimming soft and spontaneously. Shapiro encourages discourse, and this workshop should be a lively and informative sharing of ideas and techniques. A slide presentation of The Japan Experience will reflect on the 9 years Shapiro spent studying in Japan. Tuition: $245 ($215 currently enrolled students). More of his work can be found at: www.jeffshapiroceramics.com

“Clay As Canvas: Exploring Multiple Firings”, Matt Nolen, May 15-16, 2010In this two-day, hands-on workshop, we will explore the possibilities of building rich ceramic surfaces through multiple firings. On day one, we will respond to previously glaze fired cone 6/cone 10 ware and learn techniques, materials and strategies for a 2nd glaze firing to cone 04-06. Laser print transfers will also be introduced. Day 1 work will be fired overnight. On day 2, Overglaze enamels (China Paint), decals and luster will be the focus and we will work in traditional and innovative ways on top of our fired glaze surfaces. Tuition: $245 ($215 currently enrolled students). For more info, visit: http://www.nolenstudios.com“China Painting: New Directions”, Paul Lewing, July 9-11, 2010China paint (or overglaze enamel) is a 1000-year-old medium which few clay artists know today. This introductory workshop explores the use of this exciting painting medium on tile and pottery, either commercially made or handmade. Emphasis will be on water-soluble mediums, rather than the traditional oil. All skill levels of potters, painters, and traditional china painters are welcome. Potters will enjoy the bright colors and immediacy of the painting; china painters will discover non-toxic and non-allergenic mediums. Some hands-on, and students will leave with finished work. Includes slide show of Paul’s and other china painted work. Tuition: $365 ($325 currently enrolled students). For more info, visit www.paullewingtile.com

“A Couple of Days with Donnie: He’s Back”, Don Reitz, July 10-11, 2010“I will be demonstrating my techniques of making large scale sculpture from wheel thrown parts. I will also demonstrate wheel thrown sculptural vessels, which will include functional and non-functional forms. I will use slips and colored engobes to enhance form. Slab construction, painting and decorating techniques on wet clay will also be explored. The workshop will be supplemented with slides.” Tuition: $245 ($215 currently enrolled students). For more info: www.donreitz.com“Mapping Out the Village: A Mural of Greenwich House” Bruce Howdle, July 16-18, 2010In this workshop Bruce will demonstrate, from start to finish, how he conceptualizes and constructs his ceramic murals. He will be creating a special mural to commemorate Greenwich House Pottery’s 100th Anniversary. Additionally, Bruce will be discussing the logistics and the how-to for Public Art Commissions. This workshop will be a primer for anyone interested in designing, making and mounting outdoor, or indoor, murals. Tuition: $365 ($325 currently enrolled students). For more info: www.brucehowdle.com“Throwing and Altering Porcelain” , Matt Long, July 16-18, 2010The demonstrations will concentrate on exploring the gestural qualities of porcelain through functional pottery. I will be making work that is thrown and immediately altered off the wheel. Through the exploration of line and gesture, I have been working with thick slip as a way to express yet another kind of line that highlights the material in a different way. It is this exploration of line and gesture that continues to captivate me as I continue to express those qualities that is inherent in the material. We will cover many areas of pot making, including functional and aesthetic choices that lead to a better understanding of material, and the generation of new ideas and processes. Tuition: $365 ($325 currently enrolled students). For more info: www.fullvictory.comFor all the info check out their website here.

Call for entry – BIENNIAL OF VALLAURIS CONTEMPORARY CREATION AND CERAMIC

XXIst INTERNATIONAL BIENNIAL OF VALLAURIS CONTEMPORARY CREATION AND CERAMIC (BICC) July – November 2010 Deadline December 31st 2009
THE COMPETITION The competition is intended to encourage and make known European talents using the reputation of Vallauris, the town of ceramics, as a springboard facilitating their recognition around the world. The sections: Three sections have been organised: – Containers: Plastic reality or symbolic value (reflection / work on shape and decor). – Design: usual industrial or semi-industrial mass produced ceramics. – Architectural, sculptural or conceptual ceramics (installations)
For the full prospectus go here.

Place Jacques Cavasse 06220 Vallauris – phone: 04 93 64 34 67– e-mail: [email protected] Website : www.vallauris-golfe-juan.fr


Artist talk – Joan Bruneau

Thursday, October 22, 2009, 7:00pm Lunenburg Academy Auditorium

Joan Bruneau has been a Part Time Faculty member in the Ce ramics Department at NSCAD since 1995 and is celebrating her fifteenth year in business in her Lunenburg Studio and Gallery, Nova Terra Cotta. Over the years, Joan has developed both a national and international profile as an inspiring teacher and innovative studio potter. Joan has taught at the Emily Carr Institute in Vancouver, The Australia National University, Canberra, Glasgow School of Art, Scotland , Greenwich House Pottery, NYC and Peters Valley, New Jersey. She is one of two presenters invited to the 2010 Fusion Conference in Ontario. Her work is exhibited in high profile exhibitions across North America and is included in ceramics periodicals and books and in public collections including the Art Gallery of Nova Scotia and Jingdezhen Ceramics Institute, China.

For more info contact NSCAD

Aaron Nelson – New Artistic Director in the Historic Clay District

Medicine Hat –The Historic Clay District is pleased to announce the appointment of Aaron Nelson as Artistic Director for the Shaw International Centre for Contemporary Ceramics. Nelson succeeds Les Manning, who served in a voluntary capacity as the District’s Artistic Director for the past eight years. Nelson first came to Medicine Hat in June to participate in the Medalta International Artists in Residence (MIAIR) program and led a kiln-building workshop during which students from across Canada built two new kilns at the Medalta Potteries site. Most recently, Nelson worked as a Consultant for the Archie Bray Foundation, a leading ceramic arts centre in Montana. Nelson, the Historic Clay District’s first full-time Artistic Director, acknowledges Manning’s remarkable contribution to Medicine Hat’s growing arts community. “Les has exhibited and taught around the world for the past 20 years. Those experiences and contacts were instrumental in attracting hi-calibre international artists to a quality program in Medicine Hat,” he explains. During his time as Artistic Director, Manning oversaw the expansion of MIAIR and was a driving force behind the development of the Shaw Centre. While he is leaving the post of Artistic Director to focus on his art, Manning will remain with the District as a consultant and senior artist in residence. “There is a time in each program when new energy is needed,” says Manning, adding that “the facility is now in place, which leaves the opportunity for young leadership to take it to its next level. Aaron’s international experience and awareness of art issues will be valuable tools in building a world-class program.” The establishment of a contemporary ceramic arts program in a place known more for its historical significance may seem like an odd pairing, but Barry Finkelman, Executive Director of the District, explains “one of our major goals is to celebrate clay and its importance to Medicine Hat and Canada. Although historic preservation has been a major focal point for us, we have also worked to develop a world-class ceramic arts centre. By bringing the past and the future together, we are able to showcase Medicine Hat as a major heritage, artistic and cultural centre in Canada.” Finkelman adds that hiring Nelson as the Artistic Director allows Historic Clay District to continue its growth and properly showcase Medicine Hat as an artistic and cultural community with international appeal. The Historic Clay District is one of eight tourism attractors in the Canadian Badlands, featured in AMA’s “Alberta 100 Journeys” and is Western Canada’s largest National Historic Site. The museum – in the Medalta Potteries National Historic Site – provides visitors a unique opportunity to visit a restored 1912 pottery factory, which once produced three-quarters of all stoneware in Canada. It is operated under the stewardship of the Friends of Medalta Society. The Shaw International Centre for Contemporary Ceramics is a world-class ceramic arts facility situated in Medicine Hat’s Historic Clay District. The facility, which is part of the iconic Medalta Potteries National Historic Site, provides year-round residency opportunities and has many unique kilns, including soda, salt and wood in addition to gas and electric kilns. Programming in the Shaw Centre attracts some of the top ceramic artists in the world.” For more information, interviews or visuals, contact:

Quentin Randall
403.529.1070
www.medalta.org