Visiting Artist Lecture – Candice Ring


Wednesday, May 19 | 12:00 noon
Ceramics Studio
Candice Ring’s visit is sponsored by the Ceramics Club.
There is no cost to attend the lecture – everyone is welcome.

“My passion for creating ceramic vessels stems from my reflection of the historical context from which they were inspired and the likeness of the imprint that they leave today. My pieces serve as a tool to initiate an experience of use, as a visual and functional language to connect with the user.”

Candice Ring received her BFA in Ceramics from the University of Manitoba, where she worked in a technical capacity for three years following graduation. Having sought out new and interesting opportunities, Candice accepted a position at Red Deer College in Red Deer, Alberta and worked in the ceramics department while maintaining her studio practice. She has exhibited nationally and internationally and has participated in residencies in Australia, the United States and Canada and has taught several workshops in Alberta and Manitoba. She is currently pursuing her MFA in Ceramics at Arizona State University.

School of Art
203 FitzGerald Building
University of Manitoba
Winnipeg, MB R3T 2N2
204.474.9367
umanitoba.ca/schools/art/

GUEST ARTIST-IN-RESIDENCE PROGRAM: THE CLAY STUDIO

The Guest Artist-in-Residence program is open to any artist whose primary medium is clay. Since 1992 the Clay Studio’s Guest Artist-in-Residence program has hosted artists from over thirty five countries including Anquilla, Australia, Belgium, Canada, China, The Czech Republic, England, Finland, France, Germany, Greece, Hungary, India, Iran, Ireland, Israel, Italy, Jamaica, Japan, Korea, Latvia, Lithuania, Mexico, Peru, Puerto Rico, Romania, Russia, Sweden, South Korea, Spain, Taiwan, Wales, and the United States. The Guest Artist-in-Residence Program provides:

  • a 12 x 12 ft. studio on The Clay Studio’s third floor
  • an apartment across the street
  • a materials and firing stipend of up to $200
  • and a $500 a month living stipend.

Residencies vary from 4 to 8 weeks, but both shorter and longer residencies have occurred to accommodate an artist’s schedule or to allow for a larger project. Some technical assistance is provided, but this program is designed for artists to work independently. MORE INFO >> Please call Artistic Director Jeff Guido at 215.925.3453 x18 or email [email protected] if you have any further questions about a residency at The Clay Studio. Download an application [PDF, 49K]

CALL FOR ENTRIES: THE ART OF APPLIED DESIGN

DEADLINE: JULY 15, 2010
DHM Digital Gallery | http://www.ches.okstate.edu/dhm/gallery
Designers working in fiber, clay, wood, metal or glass are invited to participate in this international juried competition. Submitted works must be functional objects commonly used within interior spaces. Purely decorative objects are ineligible. The online exhibition will be on view from Sept. 15-Dec. 1, 2010 and will include e-mail addresses of accepted artists to facilitate their independent commercal interests. Prospectus and entry form are available online. E-mail questions to [email protected]

The Myers Gallery Upcoming calls for entry

Architecture in Clay
Show dates: July 24 – August 28, 2010 Throughout our history, ceramic elements have been used as an inspiration or vehicle to generate a critical structural element. Other architectural elements have also played an inspirational role for surface embellishment. Architecture in clay is about interpretation of an architectural element or form Criteria for Architecture in Clay:
Architectural elements that are inspired by past, present and future events. Size limitation not to exceed 18”x18”.
Application/Submission Deadline: June 23, 2010 Click for Prospectus and application. About the Juror, Kevin A. Myers
Kevin A. Myers, owner of The Myers Gallery received his MFA form Otis College of Art and Design and he is currently a professor at Orange Coast College.
Zoomorphism
Show dates: September 11 – October 9, 2010 Zoomorphism has been a recurrent and ubiquitous theme in ceramic art since the beginning of human creative expression – from Neolithic Chinese figures to pre-Columbian vessels, Egyptian deities, and contemporary ceramics. Criteria for Zoomorphism:
The only criteria for submitted work is that references, or is inspired by, animals..
Application/Submission Deadline: August 13, 2010 Click for Prospectus and application.
About the Juror, Max Rain
Max Rain received his BFA in spatial art from San Jose State University, and is completing his MFA at UCLA. He has been working primarily with ceramics for over a decade, but has a long background in painting and illustration. His work is mainly representational, and takes the form of three-dimensional sculpture, or painted and incised imagery. He focuses on the fauna that have adapted to the urban environment, and the similarities between city-dwelling animals and the humans that share and shape their habitat.
Muddy’s Wood Fire Classic (2nd Annual)
Show dates: November 4 – December 21, 2010 Criteria for Muddy’s Wood Fire Classic:
Welcome to the 2nd Annual, Muddy’s Wood Fire Classic. All work submitted must be primarily fired with wood.
Application/Submission Deadline: October 15, 2010 Click for Prospectus and application. About the T Robert & Jon Pacini
T Robert and Jon Pacini. T and Jon are considered masters of the wood fire process and have both conducted workshops throughout the United States. It is not just the dynamic surface design left on the pot but the communal nature of wood firing that intrigues both Jon and T.
For more details please visit their website.

Roswitha Wulff + guest potters Neil Fenning & Peter Thompson Massive Pottery Sale

Sunday, May 16th ———- 10 am – 6 pm
5 Underwood, Botany —– Tel. 0432-521-470

How many women in Sydney own a wood splitter and sing at the opera house?
For the first time in six years well known Sydney potter Roswitha Wulff is offering her pot-
tery for sale at her Botany studio along with the works of guest potters Peter Thompson
from Kuranda and Neil Fenning of Sydney. The quantity of pottery available is massive
and the quality is top drawer … electric, reduction and wood-fired processes are all repre-
sented.

As a result of years of creativity and experimentation a wide range of sublime functional
pottery including bowls, mugs, plates, and vases will be available, as well as Roswitha’s
unique modular wall pieces similar in concept to that commissioned by the St. Vincent’s
Hospital. Those familiar with Roswitha’s pottery will be excited by her new colours and
surfaces.

Peter Thompson’s sculptural vessels relating to his interest in folklore and the environment
are evidenced by his recent A. D. Gill pieces. The ash deposited by the wood-fired kiln en-
livens the surfaces of Peter’s ceramics as well as other pottery included in this exceptional
event.

When finished wood-firing her pottery, Roswitha Wulff will be singing ‘Songs for Shakespeare’ with fellow Sydney Philharmonic Festival Chorus members May 14th, and 15th at the Sydney Opera House.

For further information or higher resolution images are available at Tel 0432-521-470, or
from [email protected]