Time of
Exhibition: around April, 2014
Exhibition: around April, 2014
Venues: Noble Seafood Restaurants
3883 North Hongmei Road, Shanghai, China
66 North Shanxi Road,
Shanghai, China
Shanghai, China
1 North Chaoyangmen
Street, Dongcheng District, Beijing, China
Street, Dongcheng District, Beijing, China
Organizer:
Noble Seafood Restaurant www.shnoble.com
Noble Seafood Restaurant www.shnoble.com
Title of
Exhibition: Horse Teapot
Exhibition: Horse Teapot
Conditions of
Participation:
Participation:
1.
Each participant can exhibit 2 horse style
teapots at most, regardless of whether they are functional, semi-functional, or
non-functional.
Each participant can exhibit 2 horse style
teapots at most, regardless of whether they are functional, semi-functional, or
non-functional.
2.
Size of teapot should be no more than 40 cm. in
height, width or depth.
Size of teapot should be no more than 40 cm. in
height, width or depth.
3.
Participants can sell their teapots as well. The commission is 50% of the retail
prices.
Participants can sell their teapots as well. The commission is 50% of the retail
prices.
4.
We prefer different style teapot, not only a
style with different colors.
We prefer different style teapot, not only a
style with different colors.
5.
The teapots must be ceramic. The use of lava, cement or any other
material is not acceptable.
The teapots must be ceramic. The use of lava, cement or any other
material is not acceptable.
6.
Collective teapots presented by two or more
creators (ceramists or designers) are acceptable.
Collective teapots presented by two or more
creators (ceramists or designers) are acceptable.
7.
The organizer agrees to undertake the following:
The organizer agrees to undertake the following:
‧ all
expenses inherent to the exhibition and the promotion thereof
expenses inherent to the exhibition and the promotion thereof
‧ insurance
of the exhibited works for the duration of the exhibition
of the exhibited works for the duration of the exhibition
‧ Chinese
customs’ formalities
customs’ formalities
‧ expenses
incurred in returning works (not including transport insurance)
incurred in returning works (not including transport insurance)
‧ printing
of an illustrated invitation, catalogue, etc.
of an illustrated invitation, catalogue, etc.
8.
Invited artists must undertake:
Invited artists must undertake:
‧ expenses
related to shipping the works to Shanghai (address & addressee will be designated at a later date)
related to shipping the works to Shanghai (address & addressee will be designated at a later date)
‧ insurance
for the works during their transport to Shanghai
for the works during their transport to Shanghai
‧ all
expenses due to customs in their country of origin
expenses due to customs in their country of origin
‧ allow
photographs of his or her work may be reproduced, free of all rights, and used
for the exhibition or for the promotion
photographs of his or her work may be reproduced, free of all rights, and used
for the exhibition or for the promotion
9.
The organizer/exhibition center can not be held
responsible for any work that would be damaged or destroyed in transit. If a work arrives damaged, the
organizer will have it restored as well as possible to allow for exhibition but
will not be available for sale.
The organizer/exhibition center can not be held
responsible for any work that would be damaged or destroyed in transit. If a work arrives damaged, the
organizer will have it restored as well as possible to allow for exhibition but
will not be available for sale.
Timetable:
1.
Please email me the following materials by 30 October, 2013,
if you want to participate in this exhibition.
Please email me the following materials by 30 October, 2013,
if you want to participate in this exhibition.
‧ your resume
‧ 2 digital images of your personal photos/2
photos of you (2 MG JPG file at least, good quality for publication)
photos of you (2 MG JPG file at least, good quality for publication)
‧ personal brief introduction (200~300
words, use the-third narrative, please see the following format)
words, use the-third narrative, please see the following format)
Peter Lange (New Zealand)
Peter Lange, creator of the world first brick
boat and a leading figure in the craft/object art sector, has been awarded by
Creative New Zealand Craft/Object Art Fellowship this year.
boat and a leading figure in the craft/object art sector, has been awarded by
Creative New Zealand Craft/Object Art Fellowship this year.
Peter Lange has worked in ceramics for more
than 30 years and has been director of Auckland Studio Potters Center since
1997. He changes his approach to
clay all the time. Thirty years
ago he started working in the “Leach” tradition throwing high-fired
domestic-ware, but has at times embraced earthenware, slip-casting,
salt-glazing, brick sculpture, and experimental kiln-firings. He enjoys illusion, irony and the
unexpected?
than 30 years and has been director of Auckland Studio Potters Center since
1997. He changes his approach to
clay all the time. Thirty years
ago he started working in the “Leach” tradition throwing high-fired
domestic-ware, but has at times embraced earthenware, slip-casting,
salt-glazing, brick sculpture, and experimental kiln-firings. He enjoys illusion, irony and the
unexpected?
Peter Lange has worked, taught and exhibited
in New Zealand and throughout the world.
Highlights in recent years include being an official demonstrator at the
2002 Aomori Wood-fire Festival in Japan, and being selected to take part in a
terracotta and brick symposium in Eskisehir, Turkey in 2003. In 1997, he taught at the Dubai Art Center
in the United Arab Emirates.
in New Zealand and throughout the world.
Highlights in recent years include being an official demonstrator at the
2002 Aomori Wood-fire Festival in Japan, and being selected to take part in a
terracotta and brick symposium in Eskisehir, Turkey in 2003. In 1997, he taught at the Dubai Art Center
in the United Arab Emirates.
Peter Lange has twice received the Merit Award
at the Fletcher Challenge Art Award in 1985 and 1986. His work features in a number of collections, including in
the Auckland Museum, Christchurch Art Gallery, the Beehive, Suzhou School of
Art and Zhengzhou Art School in China, and the Aberystwyth Arts Center in
Wales.
at the Fletcher Challenge Art Award in 1985 and 1986. His work features in a number of collections, including in
the Auckland Museum, Christchurch Art Gallery, the Beehive, Suzhou School of
Art and Zhengzhou Art School in China, and the Aberystwyth Arts Center in
Wales.
＊ If
you have given me the above materials before, and there have been no recent
changes, you can just inform me and I will use your former materials.
you have given me the above materials before, and there have been no recent
changes, you can just inform me and I will use your former materials.
2.
Please email me 1 or 2 digital images (more are
better) of your each horse teapot by 30 January, 2014 (2 MG JPG file at least, good
quality for publication as well).
Please email me 1 or 2 digital images (more are
better) of your each horse teapot by 30 January, 2014 (2 MG JPG file at least, good
quality for publication as well).
3.
A jury committee will select the horse teapots. If your teapot is selected, the
shipping points will be provided at a later date.
A jury committee will select the horse teapots. If your teapot is selected, the
shipping points will be provided at a later date.
