call for entry: The Distill Cup 2020

Fuel your energy, your creative talent, and your imagination.

Is a cup a drinking vessel?
A measurement?
A chalice?
Protective clothing?
A trophy?

As in the past, there will be an award for ‘Best in Show’ and ‘People’s Choice’

CALL FOR ENTRY:

Application due September 17, 2020.
Requirements – email to [email protected]

THIS IS A JURIED EXHIBITION. You will be notified if your piece is accepted by September 30, 2020.

Artist/craftsperson/designer must be Canadian – living in Canada or abroad
3-5 images of your ‘CUP’ – images may be used for promotional purposes
Include title, material, process description, dimensions
This is a selling exhibition – all works must be for sale. Include your retail price.
Entry fee $25 etransfer to [email protected]for selected works only. You will be notified if your piece is selected in September 2020. At that time, you must etransfer fee to confirm participation.
Artist/craftsperson/designer responsible for freight costs to get ‘cup’ to
DISTILL, 96 Downie Street, Stratford, ON, N5A 1W9, Canada
Exhibition will run November 11 – November 28, 2020 – in store and online.

Guest juror will be announced in November 2020.
Looking forward to seeing what you create;)

movie day: 染付 加藤真雪 眞窯 Painter Mayuki Kato Shingama Seto, Aichi, Japan

nstagram https://www.instagram.com/katomayuki_…

facebook https://www.facebook.com/sometsukekam…

URL http://singama.jp

OnlineShop ( Etsy ) https://www.etsy.com/jp/shop/SingamaP…

1919年創業の瀬戸の窯元、眞窯にうまれ、染付け窯屋をコンセプトに多くの作品を生み出してきました。 絵付けでは染付特有の”濃(ダミ)”という技法を駆使します。 太く大きな筆から呉須をスポイトのように流し出し、陶器の表面に絵を施していきます。 墨絵のように藍一色だけで様々な濃淡の青を表現できる多様さは他の器にはない美しさ。 時間をかけて習得されたクラフトマンの技術だけが、藍色の美しさをより際立たせます。 I was born at Shingama pottery in Seto, founded in1919. I have created many products up to the present with “sometsuke pottery” as my concept. For sometsuke painting(indigo dyeing), I utilize a technique called “dami”which is a characteristic of dyeing. Gosu is poured out from a large, thick brush like from a syringe and is painted on the surface of the porcelain. As in ink painting, the variety that can be expressed with the various shades of blue using the single color of indigo is beauty not found in other pottery. Only the skill of craftsmen learned over many years can make the beauty of indigo really stand out.

 

Call for Proposals: SOLO ARTIST EXHIBITION @ The Clay Center of New Orleans

 

 

 

 

 

 

February 26 – March 27, 2021
Juried by CCNO Committee
Entries due September 15, 2020

The Clay Center of New Orleans seeks proposals for a solo artist exhibition to be on display February 26 – March 27, 2021 in the Clay Center’s gallery space in the heart of New Orleans.

This call is open to proposals for all forms of contemporary ceramic artwork, including functional studio pottery, sculptures and sculptural vessels, and installation work. Mixed media proposals are acceptable but clay must the primary material.

Apply online via EntryThingy
Download prospectus (PDF)

www.nolaclay.org/calls-for-entries.html

100 Years 100 Women @ The Clay Studio

August 18th, 2020 is the 100th anniversary of the ratification of the 19th amendment, giving women in the US the right to vote.

Who gained the right to vote when the 19th amendment was ratified on August 18th, 1920? The amendment stated that “The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any state on account of sex. Congress shall have power to enforce this article by appropriate legislation.” It was a partial victory, but who was still excluded? Native Americans, most Asian Americans, and although African Americans were technically included, it was not until the 1965 Voting Rights Act that racial discrimination was prohibited. Even today, many BIPOC citizens still face disenfranchisement.

We are taking advantage of this anniversary to celebrate the work for women’s rights that has been done, while simultaneously acknowledging the work that remains. Statistics show that women earn only about 80% of what men earn, while women of color earn only 65% of what white men earn.[1] The US Congress is only 23% women,[2] and we still have not seen a woman president. The struggle of trans and woman identifying people is still in its infancy. These facts are the tip of the iceberg of remaining disparities that we must continue to dismantle.

Women have fought hard in so many ways, against extreme injustice, to gain a foothold for themselves and others, for their children, and for all children. This work, both public and private, is deserving of celebration and admiration.

We asked 50 artists to each choose two women they admire and honor them by making a modern-day commemorative plate. We welcome all perspectives on this topic, and we embrace a wide definition of women, transgender, and female identifying people. The people each artist chooses can be famous, anonymous, or their own private inspirations. The artists selected reflect the true wide range of cultures and gender identities of people making art in clay. By choosing artists across cultures and gender identities we welcome an illustration of women important to each artist within their varying experiences.

We are excited to present commemorative plates dedicated to women who these artists feel embody the spirit of female empowerment, and who deserve recognition for their contributions to society.

We look forward to walking into a gallery of heroes who will inspire us to keep fighting for justice and equality.

[1] “Racial, gender wage gaps persist in U.S. despite some progress”. Pew Research Center. July 1, 2016. Retrieved November 26, 2016.

[2] Women in the US Congress 2020, Center for American Women and Politics, Rutgers University.

[1] “Racial, gender wage gaps persist in U.S. despite some progress”. Pew Research Center. July 1, 2016. Retrieved November 26, 2016.

[2] Women in the US Congress 2020, Center for American Women and Politics, Rutgers University.

Cover Photo: Sue Tirrell

www.theclaystudio.org/exhibitions/100-years-100-women