call for entry: International Cup 2022 juried by Courtney Murphy

Exhibit dates: February 4-25, 2022. Entries due by November 12, 2021

The Clay Studio of Missoula’s International Cup 2022 is an exhibition showcasing ceramic work that explores the infinite possibilities of the idea of a cup.

Applications must be submitted no later than November 12, 2021.

Learn about exhibition parameters and enter online starting July 1, 2021 on our submittable call for entry site:

https://theclaystudioofmissoula.submittable.com/submit

call for entry: Craftforms 2021

 

CraftForms 2021” (December 3,  2021–January 29,  2022) open to all artists 18 years of age and older. Work must be original. Accepting various mediums, including ceramics. All work must be for sale and cannot have previously been on exhibit at Wayne Art Center. Selected works will be on display in the Davenport Gallery of the Wayne Art Center in Wayne, Pennsylvania.

Fee: $45.

Juried from digital. Juror: Carol Sauvion.

Contact Wayne Art Center, 413 Maplewood Ave., Wayne, PA 19087; [email protected]; 610-688-3553; www.wayneart.org.

movie day: Ceramics in the World and the World in Ceramics.

a collaboration between the RISD Museum and the Center for Complexity

Filmed Wednesday, June 16
3-4:30pm EST

RISD faculty members Alero Akporiaye, Jean Blackburn, Anina Major, Christopher Roberts, and Clement Valla, with Elizabeth Williams of the RISD Museum, will explore a selection of ceramic objects from the RISD Museum collection. Join these scholars and makers from a variety of disciplines as they consider the human creative expression carried via ceramics and discuss aesthetic characteristics as well as their significance as bearers and symbols of history, culture, commerce, and meaning. Both exploratory and investigative, critical and generative, this multidisciplinary dialogue will benefit scholars and art lovers alike. Unscripted and unrehearsed, this dynamic conversation will explore how to look at these objects more closely and broadly, and engage with them in new ways to find both the beauty and truth in earthen materials shaped by human hands, which, as Keats wrote, continue to “tease us out of thought, As doth eternity.” The discussion aims to inspire a deep consideration of how these objects can provide insight into the practices, mindsets and values that we should carry forward—or leave behind.

This collaboration will be introduced by Elizabeth Williams, the Museum’s David and Peggy Rockefeller Curator of Decorative Arts and Design, and is in preparation for the January 2022 exhibition Trading Earth: Ceramics, Commodities, and Commerce. The production of ceramics by global communities—whether as staples or luxuries—is inextricably linked to issues of consumption and commodification. Williams writes:

These commodities and goods are employed and enjoyed gastronomically, aesthetically, socially, artistically, and culturally by many types of markets and consumers. They are also frequently cultivated, harvested, and produced by enslaved, indentured, or exploitative labor of human beings, damaging or endangering the wellbeing of their person, communities, and environments. Drawing from the museum’s nearly 8,900 ceramic objects, this exhibition centers the intersection of global trade and ceramics through the exploration of a dozen commodities.