Indian Ceramics Triennale 2027: AT PLAY

November 5 to December 23, 2027
National Gallery of Modern Art, Mumbai

What forces are at play, shaping and defining the world we experience? What impulses do we contain that form or override these forces?

Play is integral to the human experience and fundamental to the creative process. There is a tension inherent in play that is exhilarating yet risky, competitive yet collaborative. Through play we can put down the weight of a loaded past, imagine radical futures, and yet remain truly present. Play provides not only refuge, but resistance.

Play allows us a sense of joy, moving lightly between structure and chaos without fear of failure. It exists at the threshold of uncertainty – where systems can be questioned, patterns broken, conventions overturned. Play offers us the freedom to pivot, adapt and shape-shift, opening up space for thinking otherwise—about material, making, and consequently about the world we are part of.

In this third edition of the Indian Ceramics Triennale, we see the exhibition as an incubator of possibilities. We invite artists to hold this undefined and unknown moment filled with potential, to dare to play through inventiveness, provocation, humour, satire, meaning, absurdity, performance and colour. To use play as an institution of and for disruption, dreaming into existence the unexpected and unacknowledged. To question, through play, the forces at play.

The open call is open to professional and emerging artists over the age of 18, working in ceramics or exploring clay in interdisciplinary practices. While the Indian Ceramics Triennale focuses on clay based practices, we welcome proposals from artists working across disciplines who engage with clay conceptually, materially, or contextually.

call for artists: Bold Choices

 

Want to see your work in the September issue of Ceramics Monthly? This year’s contest, “Bold Choices,” will include work from across our field from makers unafraid to stand out. Whether you express yourself with vivid colors, exciting forms, eye-catching surfaces, grand adornment, or bold concepts, we want to showcase the many ways makers use their work to communicate with courage and drama. Apply now to the Ceramics Monthly annual readership-wide contest!

To be considered for the “Bold Choices” competition, please submit the following materials and a $10 processing fee via Submittable by June 21, 2026:

  • Up to five total images. The images can show five different works, or they can be a combination of overall and detail shots of fewer than five works/installations/performances.
  • Up to five high-resolution (300 ppi) digital images that are at least 2500 pixels in the largest dimension (or at least 5×7 inches in print size at 300 dpi resolution).
  • Complete caption information for each image including materials, processes used, firing temperature, dimensions, and date completed. Please include any relevant photo credit information as well. Photo credits not sent in the original submitted caption document cannot be guaranteed inclusion for finalists.
  • Contact information (including email address and physical mailing address)
  • Current artist statement and résumé saved as a PDF, Word, or .txt document.

Note on image editing: Please do not downsample, blow up/enlarge, or otherwise alter images, including color correction or altering the background (such as outlining the objects). All selected images will be edited by the production staff prior to publication.

STARworks Ceramics Artist Residency & INTERNSHIP programs

Applications for Fall 2026 – Summer 2027 are now open.

“Deeply rooted in our community, Starworks fosters meaningful connections between visiting artists and local makers, creating opportunities for exchange across education, professional practice, and studio development. Visiting artists are encouraged to meet, learn from, and work alongside potters from the Seagrove area—one of the oldest and largest pottery communities in the United States—gaining insight into a living ceramic tradition while contributing their own perspectives and skills.

Resident, Intern, and Guest ceramic artists at Starworks benefit from studio spaces located adjacent to the Starworks Clay Factory—an exceptional resource for artists interested in working with raw, locally sourced materials. This close connection allows artists to test, research, and develop their own slips and glazes using unprocessed regional clays. Starworks also offers custom clay blends upon request. Many artists are surprised by the range and beauty of these wild clays, each with its own distinct character and material qualities.”

www.starworksnc.org/clay-studio-artist-program

monday morning eye candy: Matthew Richardson

“Matthew Richardson uses collage and assemblage and works in clay, paper, paint and pixels. He is interested in the ways that objects and images survive or break down through the effects of time. He explores this by combining physical, symbolic and narrative fragments. The objects and images that emerge are like signs or relics in a half-remembered language or story. They hover between the contemporary and the archaic, and the magical and mundane. 

Matthew lives and works in Norwich. His work has been shown in both gallery and museum spaces including Transition, Outpost, New Craftsman, Kingston Museum and The Beaney. His  work in illustration includes projects with the V&A, the British Library and the Poetry Society.”

 

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