White Earth-Red Earth:
Expressions in Porcelain and Bucchero

Victor Greenaway – www.victorgreenaway.com
April 15th – 21st, 2012

Throwing. Intermediate / advanced
Porcelain for me is the ultimate in ceramic expression.The qualities are attractive due to the purity of the material and the unique fired characteristics. For these reasons it has recently become the preferred material for artist all over the world. Bucchero, as an ancient Etruscan ceramic process involving smoke-fired terracotta, provides the perfect contrast to porcelain with equally attractive qualities and challenges, at the reverse end of the firing temperature scale.
One transmits light, the other absorbs.
Together, the joint dynamics offer both a contrast and an affinity in the design process. During the workshop students will directly experience the challenge of working with and firing both materials, elaborating a design concept which will enhance the characteristics both contrasting materials, then making and firing the parts separately and subsequently assembling.
We will learn to appreciate and exalt the unique and complementary qualities of each material.
Cost € 860. Includes welcome dinner, lunches, lodging, tuition, materials and firings. Victor Greenaway became famous both in Australia and other continents. His work was selected for several international exhibitions including in Faenza (Italy), SOFA, Chicago (USA), Victorian and Albert Museum in London (England) and various museums in Australia, Japan, Germany, Italy, Hong Kong, New Zealand. In Australia, Victor is known for his excellent craftsmanship and innovative design and for this he gained several prizes and scholarships. Many Australian potters and ceramic artists enjoyed a quality education in his studio with his teaching skills. This master class provides a unique opportunity to follow this master.
www.victorgreenaway.com
La Meridiana
Loc. Bagnano, 135 – 50052 Certaldo (Italy) – Telefono/Fax +39 0571 660084 – [email protected]http://internationalschoolofceramicart.wordpress.comBe sure to also check out the rest of their impressive list of instructors for 2012:

15 Easter in clay
Richard Phethean – www.phethean.clara.net
April 7th – 14th, 2012

A busy session producing work suitable for slip-decoration techniques.
More experienced throwers will be encouraged to increase the scale and scope of their work.
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17 Porcelain: Color and Light
Curtis Benzle – www.benzleporcelain.com
April 22nd – 28th, 2012

Learn to amplify the extraordinary qualities of vitreous porcelain.
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18 Exploring Naked Raku and Ferric Chloride –
The Basics

Wally Asselberghs – www.wallyasselberghs.be
Sue Morse – www.suemorse.com
April 28th and 29th, 2012

Two days of investigation, experiment and test, learning how to use and control the properties of these techniques.
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18a Exploring Naked Raku and Ferric Chloride – Advanced
Wally Asselberghs – www.wallyasselberghs.be
Sue Morse – www.suemorse.com
May 1st – 3rd, 2012

Astonishing results with cross-over techniques. This can be a follow up to course 18 or booked singularly.
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20 Study abroad in Italy
Ken Shipley – www.shipleypottery.com
www.artapsu.com/tag/ceramics/
May 13th – 26th, 2012

Study abroad in Italy. Earn college credits through Austin Peay State University of Tennessee while studying in Italy.
22 Study abroad in Italy
Leah Leitson
http://warren-wilson.edu/blogs/art/leah-leitson/
May 27th – June 9th, 2012

Study abroad in Italy. Earn college credits through Warren Wilson College of North Carolina.
Click here for price and details
26 Pattern and Colour using Vitreous Slips
Carolyn Genders – www.carolyngenders.co.uk
June 24th – 30th, 2012

A challenge to combine form, surface and colour leading to uniquely personal and individual work.
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27 Mould making and slip casting in Bone China
Sasha Wardell – www.sashawardell.com
July 1st – 7th, 2012

An introduction to plaster skills as well as the possibility of pursuing a specific project.
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28 Jewelry in Porcelain.
Sophisticated jewellery with fine porcelain

Luca Tripaldi – www.giallocaino.com
July 8th – 14th, 2012

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29 Saggar firing
Patty Wouters – www.pattywouters.com
July 15th – 21st, 2012

Saggar firing in combination with Terra Sigillata, different clays, combustibles and sulphates as colorants.
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30 Paperclay with Porcelain
Luca Tripaldi – www.giallocaino.com
July 22nd – 28th, 2012

Tips and tricks out of Lucas endlessly surprising bag of ideas.
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31 The Art of the Wheel
John Colbeck and Pietro Maddalena
www.pietro.net
July 29th – August 11th, 2012

Two potters and educators with a broad and profound knowledge of ceramics, and long and wide experience of teaching. Together for a world class workshop.
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33 Sign and Colour. Decoration techniques
Pietro Maddalena and Orietta Mengucci
www.pietro.netwww.oriettamenguc.it
August 12th – 18th, 2012

Unlimited possibilities of expression with texture, color and pattern through an inspiring ceramic process.
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34 Terra Rossa
Rick Hensley – www.richardhensleypottery.com
August 19th – September 1st, 2012

The tradition of sgraffito, images drawn trough white slip under brilliant colours comes to modern life in this throwing class.
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34a Sculptural Forms for the Garden
Donna Polseno – www.donnapolseno.com
August 19th – September 1st, 2012

Fresh garden pots and sculptures in Tuscan terracotta clay.
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36 The Agate technique
Susan Nemeth – website
September 2nd – 8th, 2012

Sensual objects with a satin like surface using staining and layering slips and porcelains for a range of pure colour and soft, matt feel.
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38 Throwing, throwing and more throwing
Ellen Shankin – www.ellenshankin.com
September 16th – 29th, 2012

Throwing and altering, investigating forms and training skills with a master back for the 6th time!
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40 Focusing on Form …
Making personal pots to use for food

Jan Edwards – www.clayjan.com
September 30th – October 13th, 2012

What better place to design and make pots especially for the table… pots that enhance the experience of eating and serving food?
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42 Relationships: Form – Glazing – Firing
Judith Duff – www.judithduff.com
October 14th – 27th, 2012

Creative problem solving for making functional and sculptural forms by combining hand-built and thrown parts.
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