technical tuesday: Plainsman Wax Emulsion

Last week at NCECA I had the absolute thrill of being one of Amaco Brent‘s demonstrating artists at their booth in the NCECA expo. While there I demonstrated how I use their underglazes for both my functional and sculptural lines of work. One thing that I found myself repeating over and over again was the name of the wax emulsion I use so I thought I’d share it here today. I carve those little black lines in my functional work through a thin coat of Plainmans Clay LTD.’s Wax emulsion R. I don’t water it down. I don’t let it sit for more then 24 hrs to dry. It works great for this process for me because it doesn’t gum up or stay tacky like a latex or rubber based wax would – thus allowing me to draw very tiny details and thin lines. I’m not sure if there is an American exquivalent, or international one for other countries. But this one is available through Plainsman Clay.  Their webiste lists all of thier distributors in Canada and the USA. Or give them a call to place an order.

plainsmanclays.com

technical tuesday/movie day: forgive me my head is not in the game this week.

So i missed technical tuesday, which can happen…but now i’ve almost missed movie day as well. It’s been one of those weeks where motivation is lacking, brain is elsewhere and things are pilling up on my desk/workbench. So here you go a technical video i shot in the studio earlier today showing my process of painting in the underglaze for my drawings. On bone dry greenware i sketch in pencil, then cover with a thin layer of wax emulsion (no latex), then i carve the lines through the wax with a sewing needle. Paint on the black underglaze, wipe back and voila – ready for the bisque!

Process. Adding black underglaze (@amacobrent) to the carved lines. #canadianceramics #pottery #ceramics

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