call for entry: Cup – Intimate Object XV
charliecummingsgallery.com/index.php?main_page=gallery_submissions
Cup: The Intimate Object XIV call for submissions
This fall Charlie Cummings Gallery will host Cup: The Intimate Object XIV, the fourteenth installment of our iconic annual cup show. This year the exhibition will once again be an invitational and juried exhibition showing five individual cups from each participant and will be online only. We are pleased to invite artists to submit cups for consideration for this exhibition celebrating the most intimate and beloved of functional ceramic objects.
To submit your cups for consideration for this exhibition, please email the following to [email protected] by midnight Eastern, July 8th, 2018:
Part 1 – In the body of the email include:
1. Your full contact information including email, telephone, and website address.
2. A guide to the images you submit with title, type of clay, type of firing, forming process, dimensions, and retail price. Please identify the entries using the naming format listed above.
Part 2 – Attachments:
1. Five (5) medium resolution images of the 5 actual cups you would like to send for the exhibition. Named using the following format- LastnameFirstname_01.jpg, LastnameFirstname_02.jpg… Please note capitalization. No detail shots please.
2. Your resume or CV in PDF format.
There is no fee associated with this call for submissions.
Please read carefully. Incomplete or incorrect submissions will not be considered.
Exhibition calendar and details:
July 8 – Submission deadline
July 20 – Notifications sent
August 10 – Cups Ship-by Deadline
August 17 – Cups due at gallery
October 6-November 2 – Cup: The Intimate Object XIV online
December 2018 – Cups returned
Artist pays shipping and insurance for shipment to gallery and for return of unsold work.
Gallery insures cups while on the premises.
Gallery actively advertises and promotes the exhibition.
Gallery takes a 50% commission on all sales.
Send questions (not submissions) to [email protected], or call 352-514-8821.
Portfolio Submissions
Ceramic artists who would like for their work to be considered for inclusion in group exhibitions, features, and solo exhibitions may submit a portfolio including the following:
Cover Letter, CV, 15-20 images of artwork (Named using the following format- LastnameFirstname_01.jpg, LastnameFirstname_02.jpg…,) A guide to the images you submit with title, type of clay, type of firing, forming process, dimensions (H x W x D,) and retail prices, and full contact information including email, telephone, and website address to: [email protected]
ORIf your website includes ALL of the information requested above, send a cover letter and the link to your website to: [email protected]
Send questions (not submissions) to [email protected], or call 352-514-8821.
call for entry: Cup – The Intimate Object XIII
This fall Charlie Cummings Gallery will be hosting Cup: The Intimate Object XIII, the thirteenth installment of our iconic annual cup show. This year the exhibition will once again be an invitational and juried exhibition showing five cups from each participant, and will be online only. We are pleased to invite artists to submit cups for consideration for this exhibition celebrating the most intimate and beloved of functional ceramic objects. To submit your cups for consideration for this exhibition, please email the following to
[email protected] by midnight, August 5th, 2017:
Part 1 – In the body of the email include:
1. Your full contact information including email, telephone, and website address.
1. Your full contact information including email, telephone, and website address.
2. A guide to the images you submit with title, type of clay, type of firing, forming process, and retail price. Please identify the entries using the naming format listed above.
Part 2 – Attachments:
1. Five (5) medium resolution images of the 5 actual cups you would like to send for the exhibition. Named using the following format- LastnameFirstname_01.jpg, LastnameFirstname_02.jpg… Please note capitalization. No detail shots please.
2. Your resume or CV in PDF format.
There is no jury fee associated with this call for submissions. Please read carefully, incomplete or incorrect submissions will not be considered.
Exhibition calendar and details:
August 5 – Submission deadline
August 6-12 – Notifications sent
August 6-12 – Notifications sent
August 25 – Cups Ship-by Deadline
September 1 – Cups due at gallery -no late cups will be accepted
October 7-November 3
Cup: The Intimate Object XIII online
October 20 – sold cups turned off on website
December after Christmas sales season 2017 – Cups returned
Artist pays shipping and insurance for shipment to gallery and for return of unsold work.
Gallery insures cups while on the premises.
Gallery actively advertises and promotes the exhibition.
CCG takes a 50% commission on all sales.
Send questions (not submissions) to [email protected].
Submission guidelines can also be found on our website under Gallery Submissions here.
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Profit Margin Curated by Derek Reeverts
January 9-29 @ Charlie Cummings Gallery
Profit Margin,
curated by Derek Reeverts is now online. This exhibition features
ceramic sculpture and vessels, printmaking, and poetry by national
artists.
curated by Derek Reeverts is now online. This exhibition features
ceramic sculpture and vessels, printmaking, and poetry by national
artists.
Curator’s Statement
Profit Margin explores modern incarnations of class warfare.
Tension between socioeconomic classes exists in a variety of forms
because Fox News is wrong; class structure is not a singular identity.
It is something that exists in varying degrees depending on each
individual’s makeup -their region, gender, culture, education, etc.
There is no singular, universal group who has sole access to the means
of production, a Marxist term referring to society’s resources and
production facilities. In today’s world there are multiple means of
production -from physical factories to Wall Street, Academia, and Big
Oil -and thus “those who have access” are as varied in appearance,
though not in number, as those who do not.
Tension between socioeconomic classes exists in a variety of forms
because Fox News is wrong; class structure is not a singular identity.
It is something that exists in varying degrees depending on each
individual’s makeup -their region, gender, culture, education, etc.
There is no singular, universal group who has sole access to the means
of production, a Marxist term referring to society’s resources and
production facilities. In today’s world there are multiple means of
production -from physical factories to Wall Street, Academia, and Big
Oil -and thus “those who have access” are as varied in appearance,
though not in number, as those who do not.
The artists represented in Profit Margin hail from a variety
of geographies, socio-economic backgrounds, genders, and cultures.
Their pieces explore people and places marginalized by modern class
warfare. They work in mediums as diverse as ceramics, printmaking, and
poetry. The array of medium allows the viewer many avenues to approach
the complex processes of class. Whether the piece references the figure,
utilizes color and texture, or uses the familiarity of the human voice
to express experience, the pieces in Profit Margin allow the viewer a layered perspective into this otherwise cloudy machination.
of geographies, socio-economic backgrounds, genders, and cultures.
Their pieces explore people and places marginalized by modern class
warfare. They work in mediums as diverse as ceramics, printmaking, and
poetry. The array of medium allows the viewer many avenues to approach
the complex processes of class. Whether the piece references the figure,
utilizes color and texture, or uses the familiarity of the human voice
to express experience, the pieces in Profit Margin allow the viewer a layered perspective into this otherwise cloudy machination.
Participating Artists
Cup XI The Intimate Object
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