by Carole Epp | Jul 2, 2011 | Uncategorized
Mark Making brings together nine Australian artists whose work feature diverse techniques that demonstrate their own unique maker’s marks. Each artist has a distinct, almost subconscious style that has become indicative of their work. In ceramics, the makers mark is heightened, as the form can feature the mark of the hand, as well as how it is then decorated.Featuring: Sandra Black, Bronwyn Kemp, Pippin Drysdale, Louise Boscacci, Janet DeBoos, Gerry Wedd, Mitsuo Shoji, Alison (Milyika) Carroll & Carol (Anilyuru) WilliamsMAIN GALLERY 20 July – 13 August120 Glenmore Rd
Paddington, Sydney
NSW, 2021
AUSTRALIAWebsite
by Carole Epp | Jun 20, 2011 | Uncategorized
July 28, Thursday, 10:00 am – 4:00 pm
Ceramics Program, Office for the Arts at Harvard
219 Western Ave
Allston, Massachusetts
This workshop will combine traditional printmaking techniques on clay including mono-printing on plaster with slip-cast clay, silk screening, stencils, laser-transfer decals, embossing, and relief printing. Areas to be explored will be creating a vocabulary of imagery, narrative and composition onto both hand-built and wheel-thrown forms. All techniques can be applied to work within any ceramic firing range and will be presented in a way that is easy to replicate in one’s own studio. Historic and contemporary examples of artists who combine printmaking with ceramics will shown.
Fees: Enrolled in Course: $50, not enrolled: $100
Registration form:
http://ofa.fas.harvard.edu/courses/reg.php
Email [email protected] completed registration form, or for questions.
Biography: Upon her return from the Penland School of Crafts in Penland, NC, instructor Kathy King is eager to share techniques featured in the course “Print Buffet” that she co-taught with Paul Andrew Wandless, author of Image Transfer on Clay: Screen, Relief, Decal & Monoprint Techniques (A Lark Ceramics Book). King is currently an active studio artist, instructor and Assistant to the Acting Director of the Ceramics Program, Office for the Arts at Harvard. A former Associate Professor at Georgia State University in Atlanta, GA, she has been an instructor at Connecticut College, New London, CT, School of the Museum of Fine Arts Boston, Boston, MA and UMASS – Dartmouth in New Bedford, MA. She has given workshops and lectures at over fifty colleges, schools and art centers through out the USA. Her exhibition record includes solo shows from across the US. She was featured as both an Emerging Artist in 1999 and a Demonstrator in 2002 at the National Council on Education for the Ceramic Arts conferences.
Her work has been published in Sexpots by Paul Mathieu, The Art of Contemporary American Pottery by Kevin A. Hulch, Teapots Transformed by Leslie Ferrin, Handbuilt Tableware by Kathy Triplett and The Glaze Handbook by Mark Burleson. Her work can also be found in numerous periodicals including Ceramics: Art and Perception, Studio Potter, Clay Times, Art Papers and Ceramics Monthly. She can be contacted via her website.
For all the details please visit website.
For more images of Kathy’s work please visit her website.
by Carole Epp | May 2, 2011 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
Lark Ceramics is publishing an exciting new ceramics book in our “500” series, and we would like you to submit images for consideration.
Paul Andrew Wandless, author of Image Transfer on Clay, will jury 500 Prints on Clay, a 420-page, full color survey of typography, lettering, drawings, and photographs applied to clay. This international collection will be beautifully presented and widely distributed throughout the world in Spring 2013. We welcome outstanding ceramic works that feature image transfer techniques. Ceramic pieces may be created with any type of clay and employ techniques including: screening, monoprinting, stenciling, stamping, relief printing, and decals. Artists whose work is selected for inclusion will receive full acknowledgment in the book, a complimentary copy, and discounts on the future purchase of books. Artists retain copyright to their work. Lark accepts high-quality digital images. No entry fee is required. Submissions must be postmarked by September 15, 2011. Detailed entry guidelines and permission forms are included on the 500 Prints on Clay Entry Form, which can be downloaded here. Please mail your submissions to: Lark Crafts/500 Prints on Clay 67 Broadway Asheville, NC 28801 USA Attn: Dawn We look forward to seeing your work!
