job posting: Educational Art Technician, Ceramics

The Alberta University of the Arts (AUArts) is looking for a skilled and experienced Educational Art Technician, Ceramics to provide excellent studio support for faculty and guidance to students of the School of Craft & Emerging Media.

This is a permanent full-time position starting September 2022. Hours of work are 35 hours per week.

Why AUArts?  Alberta University of the Arts rests on the traditional Treaty 7 Territories of the Blackfoot people and in the spirit of our collective effort to promote reconciliation, we acknowledge the traditional territories and oral practices of the Blackfoot Confederacy, which includes Siksika, Piikani and Kainai, the Tsuut’ina, the Stoney Nakoda First Nations (Bearspaw, Chiniki and Wesley), Metis Nation Region III, and all those who make their homes in the Treaty 7 Region of Southern Alberta. AUArts is a community of thinkers, shapers, makers and risk takers. We are students, faculty, staff and alumni rich in diversity of culture and thought, challenged to fearlessly explore what moves us, drives us, and implores us to see the world differently.

The Alberta University of the Arts offers its 1,100 students studio-based programming that leads to a Bachelor of Fine Arts in one of nine disciplines, a Bachelor of Design in one of two, and an MFA in Craft Media. It has deep roots in Calgary’s creative community and will soon be celebrating its centennial.

The Opportunity (Competition #2122-JU-AP-32)

Reporting to the Studio Manager, the Educational Art Technician (EAT), Ceramics provides support to the School of Craft & Emerging Media through general supervision oversight of the studio facility, equipment, processes, tools, and materials to ensure both safe and effective instructional support during class time and to ensure adherence to standard operating practices to support student studio practice during general facility access hours.

Key Responsibilities:

  • Conducts demonstrations, training and orientation for faculty, students and staff on standard operating practices for the uses of equipment, processes and materials handling, including daily clean-up and equipment/materials storage.
  • Monitors and oversees shop, studio and home studio spaces and advises on safe and appropriate practices and etiquette for all facility users including daily clean-up and equipment and materials storage.
  • Advises students with respect to program-related technology, equipment, processes and materials to meet curricular objectives.
  • Works in consultation with colleagues to maintain current documentation of standard operating procedures, studio etiquette respecting the University’s health and safety policy and program and ensuring quality student and instructional experience.
  • Under the direction of the Manager, provides scheduling, training and supervision support to casual and student employees.
  • Provides training and orientation for non-credit instructors as required.
  • Maintains open studio hours to provide students with access and support for studio processes either under general supervision or by appointment as required.
  • Monitors inventory and coordinates purchases of equipment, tools, materials and supplies through operating and capital budgets.
  • Provides guidance and support for the installation of student work for end of semester critiques, exhibitions and institutional events.
  • In consultation with faculty, researches and maintains currency in processes, equipment and materials to complement instruction, meets occupational health and safety requirements, designs and constructs equipment for application as required, and maintains program technology in coordination with Computer and Technical Services and maintains software currency as required.

The successful candidate will have: 

  • Minimum 4-year Diploma or Baccalaureate Degree in fine art or design with a relevant subject area specialization. 
  • Minimum of 3 years’ experience as a practicing artist or technician, with knowledge of relevant studio practices and experience in training students. 
  • Demonstrated proficiency with ceramic technologies, including 3D modelling printing and decal printing.
  • Demonstrated proficiency with electric and gas kiln operation (reduction, oxidation and soda), hand building and wheel techniques, glaze technology, studio and equipment maintenance, clay reconditioning, slip casting, and mold making
  • Experience with wood and metal fabrication.
  • Proficient with Microsoft Office, Rhino and Adobe Creative Suite applications.
  • Current First Aid certification is an asset.
  • Excellent communication skills with ability to provide constructive support, guidance and mentorship to students, faculty and staff.
  • Excellent organization and planning skills, meeting multiple deadlines and commitments. 

This position works in a studio environment which includes contact with hazardous materials, equipment and resulting dust and noise. Heavy lifting of up to 50lb of material is required occasionally. Personal protective equipment is required for operation of certain equipment and processes. 

As a member of the AUPE bargaining unit (Local 071/006), this regular full-time position falls under a classification seven (7). The starting annual salary is $59,836 – $66,336 dependent upon skills, education and experience. 

How to Apply

Applications must include the following in a SINGLE PDF DOCUMENT:

  • Cover Letter
  • Curriculum Vitae / Resume

Please upload your single document to the “Resume” section – do not upload any documents to the “Cover Letter” section. You will be required to create an account in order to submit your application. Please visit our How to Apply page to ensure your application is complete prior to submission. 

Applications will be accepted until July 1, 2022 with interviews to be held in late August. While we thank all candidates for their interest, only applicants selected for an interview will be contacted.

Further information about AUArts is available on our website at www.auarts.ca.

AUArts is committed to ensuring the health and safety of all University Community Members while on campus. For specific information and updates please visit our website.

AUArts is an equal opportunity employer and is strongly committed to fostering diversity within our community. We welcome those who would contribute to the further diversity of the university. We encourage expressions of interest from all qualified applicants for consideration for this or other suitable vacancies although applications from Canadian citizens and permanent residents will be given priority.

The collection of personal information is for the purpose of determining eligibility and suitability for employment as authorized by the Freedom of Information and Protection of Privacy (FOIP) Act, section 33(c). If you have any questions about the collection of your information, please contact our FOIP Coordinator at [email protected].

Call for Submissions: Reproductive Justice is for Everyone! International Art Exhibition

JAM Humanities invites visual, literary, and performing arts submissions for our virtual exhibition, Reproductive Justice is for Everyone!, an international exhibition in the JAM Museum that will open in August, 2022.

Reproductive Justice is for Everyone! asks artists to explore the myriad manifestations, experiences, emotions, and meanings of reproductive justice from present day struggles and organizing to the aspirational and everything in between.

The term “Reproductive Justice” was coined by Loretta Ross of the SisterSong Women of Color Reproductive Justice Collective and it applies a human rights framework to reproductive health advocacy. As defined by SisterSong, reproductive justice is “the human right to maintain personal bodily autonomy, have children, not have children, and parent the children we have in safe and sustainable communities.”

Reproductive justice centers intersectionality and the experiences of people who are often marginalized in society, including people of color, people who are poor, and people who are queer and and trans. It calls attention to many aspects of reproductive health that are often overlooked, such as maternal death rate disparities for Black women in the US, discrimination in pregnancy healthcare for men who are transgender, economic barriers to abortion and prenatal care for people who are poor, stigmas surrounding menstruation, and effects of poverty and institutional violence on children.

Information about how to apply and what kinds of submissions are eligible can be found on their website!

call for entry: Brush Dip Pour

The Golding-Yang Gallery is excited to host a juried exhibition highlighting ceramic works that utilize slip as a decorative element. “Liquid clay” can be used in numerous creative ways using various techniques and applications. This exhibition seeks to showcase the diverse work that is being created in both functional and sculptural ceramics, and the unique surfaces that can be achieved through the use of slip.

JUROR: Minsoo Yuh

Entry Fee: There is no entry fee. Artists may submit up to three works each.

ELIGIBILITY: The exhibition is open to all artists (age 18 or older) located anywhere in the United States and abroad. All works must be primarily ceramic. Mixed media works will be accepted only if ceramic materials are the primary media. All works must incorporate the use of clay slip on the surface. This exhibition is open to functional and sculptural work.

Email Melissa Yungbluth, Gallery Director at [email protected] with entries or any questions you may have.

For more information and to download entry forms:

https://bit.ly/BrushDipPour

movie day: Enter the Dragon: Jennifer Ling Datchuk

The San Antonio Museum of Art (SAMA) has acquired nine artworks by eight San Antonio-based artists, including “​Enter the Dragon”, 2020 by Jennifer Ling Datchuk (American, born 1980)​​. The acquisitions are part of the Museum’s Initiative to Acquire Art by Contemporary San Antonio Artists. Film Produced by Walley Films. Generous support for this project provided by Art Bridges. Learn more at https://www.samuseum.org/learn.

www.instagram.com/jenniferlingdatchuk/

Two weeks until The 35th California Conference for the Advancement of Ceramic Arts!

35th California Conference for the Advancement of Ceramic Arts

Adrian Arleo // Carol Gouthro // Chris Riccardo // Jason Walker // Anne Drew Potter // Kevin Snipes

April 29th – 30th, 2022

After 35 years of tradition the John Natsoulas Center for the Arts is proud to continue the largest sculptural ceramics conference in the world. Conceived by the need for dialogue and direct interaction between artists and students, CCACA 2022 brings the ultimate ceramic sculpture event to Davis, CA. In an intimate setting, you can interact with top artists in a way not possible at other venues. UC Davis, home to the late sculptor Robert Arneson, was instrumental in defining a new direction for ceramic art. Enjoy delightful downtown Davis and be inspired by nationally recognized ceramic art talents.

Demonstrations, lectures, shows—no other event delivers more inspired knowledge of ceramic sculpture for a better price. Meet face-to-face with distinguished ceramic sculptors you might only read about; see and hear from the artists what makes them top in their field.

40+ Major Shows

Local gallery exhibitions and over 30 college shows bring the best work of the year within easy reach. These shows run concurrent with CCACA 2022. See all this and over 40 amazing student shows within a short walk. This is a chance to surround yourself with the top ceramic art of today and the ideas of the artists of tomorrow.

CCACA 2022