Make your own roof Finial in the tradition of the West Country – Clay sculpture course to create a guardian to sit on a roof tile
29 May to 2 June 2017 (5 days), 10am- 4pm
Maximum on the course: 8
All welcome anyone with, or without ceramic skills
For this workshop – in honour of the Leach Horseman on display at the “That Continuous Thing” exhibition at the Tate, St Ives – we will work with the idea of roof finials or guardians, a tradition of the West Country. Please bring ideas and images of what kind of guardian you would like on your roof. If students are unsure of what to do, there will be images for them to choose from. Each student will have an earthenware ridge tile to work from. There will be a short slide show about roof finials.
- Three days building
- Two days to finish
Hand building [sculpture] is an open and exploratory experience, and I try to conduct a class that makes the process accessible, and is deeply satisfying. Handwork is very a different experience from throwing pots, it is about imaginative structure. I enjoy problem solving and working individually with each student to find ways and means. Beginners and experienced alike are welcomed. Though technical skills are helpful, beginners can make expressive and cogent work.
At the end of the workshop the student should have one or two figure/ finials that will be fired in the Leach Pottery kilns. Pick up of the pieces would be about two weeks after the workshop. Once these pieces are fired they can be cemented onto a ridge tile and placed on your own roof – to honour the ridge tile tradition of the West Country. This hands-on experience will open up understanding of the ceramic experience and hopefully encourage the participants to continue exploring this wonderful material. The Leach Pottery will provide some hand tools – please bring any tools you may have.The work would be freestanding and within 8-14 inches, H/W. The students would pick up their work around 4-6 weeks after the workshop.
Students to Bring:
· A packed lunch, Leach Pottery will provide tea & coffee provided
· Any tools you may have, knives, sticks etc., a towel, pencil and paper, dry-cleaner plastic, large sponges, and short fingernails.
· An image you would like to work with – if you have one in mind – finials can be anything you can imagine – abstracted or representational. We will discuss the images and how to make them .
For the class the Leach Pottery will provide:·
· A generic earthenware ridge tile for each student to work from
· Generic hand tools, and I can bring some, and some dry cleaner plastic.
· · A bisque firing, and a final firing in the gas kiln, so that student pieces can be weather proof and put on the roof. Most students would make 1 -2 pieces.
· There will be no glazing, but a black and white clay slips for the surface will be available, for a bit of detail
More info: www.leachpottery.com
Find out more about Debra: www.debrasloan.com
Margaret Keelan “Pose with Dog” glaze with clay
April 18th-May 13th, 2017
Opening Reception Friday April 28th, 7pm-10pm
The John Natsoulas Center for the Arts will hold its 31st annual gallery-wide 30 Ceramics Sculptors exhibition in concurrence with the California Conference for the Advancement of Ceramic Arts (CCACA). The exhibition will run from April 18th to May 13th, 2017. This show was first conceived in 1986, a collaboration between the late Robert Arneson and John Natsoulas, and continues the ceramic traditions made famous by instructors and students of the University of California, Davis Art Department and the University of California at Berkeley.
Since its inception over three decades ago, the 30 Ceramic Sculptors annual exhibition has grown congruently with the ceramic art world in Northern California. Decades ago there were few major ceramic programs at the Junior, City and State College levels. Today we are experiencing a sculptural renaissance in the ceramics programs of Northern California – new and exciting ceramic sculptors are becoming established.
30 Ceramic Sculptors is the largest annual exhibition of ceramic artists where you can see every variation of ceramic sculpture imaginable. This survey of ceramic sculptors includes everything from figurative to abstract, monolithic to miniature all in one place.
Explore the exhibition and you will discover work as varied as the minds who made it. Some work gives homage to the earth, source of clay, with raw organic texture and emphasis on mass, volume, and dynamic thrust while industrial processes have become the emphasis for others. The 31st annual 30 Ceramic Sculptors brings together an impressive group of ceramic artists with practiced rooted in diverse cultures, experiences and education from around the world.
In conjunction with the 31st annual 30 Ceramic Sculptors annual exhibition is the 29th annual CCACA. This conference brings the
ultimate ceramic sculpture event to Davis, CA from April 28th – April 30th, 2017. In an intimate setting, you can interact with top artists
in a way not possible at other venues. Enjoy delightful downtown Davis and be inspired by nationally recognized ceramic art talents. With over 40 participating schools from throughout California, CCACA is one of the largest and most diverse ceramic events in Northern California. Demonstrations, lectures and student exhibitions—no other event delivers more inspired knowledge of ceramic sculpture for a better price. Meet face-to-face with distinguished ceramic sculptors you might only read about; see and hear from the artists what makes them top in their field. This is a chance to surround yourself with the top ceramic art and artists of today and the ideas of the artists of tomorrow.
Press Contact: Nancy Resler email@example.com 530-756-3938
More information: http://natsoulas.com/
Northern Clay Center presents an advanced ceramics studio program in collaboration with ceramic artist and educator, Ursula Hargens. The New Institute for Ceramic Education provides up to 8 months of advanced, personalized instruction for artists who are serious about taking the next step in their ceramic education.
This pilot program is designed to respond to the changing needs of students and gives non-traditional students the same quality of information and critique found in a university program. Designed for potters and sculptors alike, the Institute will support the development of studio work and provide high-level training in ceramic materials, history and theory, and professional practices.
Participants will earn a certificate of completion through a combination of instruction and individual mentoring. The program will extend beyond the classroom to include artist lectures, gallery tours, and studio visits with established artists to take advantage of the rich ceramic resources throughout the Twin Cities, including those from academic and non-traditional routes of study, artists of other media, and arts administrators.
Get updates about MN NICE classes, visiting artists, and events on the NCC blog.
What can you hope to achieve from this program?
By the end of the 8-month program, students will earn a certificate and will possess the technical skills, artistic context, and personal insight to build a strong and cohesive body of work. They will learn how to present and promote their work, whether they are seeking gallery representation, applying to graduate school, or selling work to the public.
MN NICE combines the best aspects of a residency, university program, and apprenticeship. Certificate recipients will establish new connections with peers and established artists in the field, build professional credentials, and create a strong body of work based on individualized instruction. The program will culminate in a final exhibition at Northern Clay Center.
“It is not without trepidation that I look toward the future, but I am eager to stretch my wings using the tools, resources, and courage I have discovered through MN NICE.
I feel honored and proud to have been a part of this program.” — MN NICE participant, 2015-16
Is MN NICE right for you?
Now in its second year, MN NICE is designed to respond to the changing needs of students and to give non-traditional students the same quality of information and critique found in a university program. Designed for potters and sculptors alike, MN NICE will support the development of studio work and provide high-level training in ceramic materials, history and theory, and professional practices. Participants will earn a certificate of completion through a combination of instruction and individual mentoring, led by ceramic artist and educator Ursula Hargens.
Hargens states, “Many individuals are eager to further their ceramic education and seek a professional credential, but family, employment, financial, and time constraints limit their ability to do so within a traditional academic structure. This certificate program is designed to fill this gap, providing a flexible, yet challenging environment that responds to the needs of non-traditional students, giving them quality information, academic rigor, critical dialogue, and critique as they develop their artistic practice and strengthen their work.”
Click here to access the application form.
Listen to a conversation between course leader, Ursula Hargens and a couple members of the first group of MN NICE students on Ben Carter’s Tales of a Red Clay Rambler Podcast.
Find out more here: www.northernclaycenter.org/education/minnesota-new-institute-ceramic-education
Time is running out to get your early bird registration!