Residency opportunity @ Carbondale Clay Center

The application deadline is just one week away!

The Carbondale Clay Center Ceramic Artist Residency Program offers a unique opportunity for emerging and established artists to deepen their practice in a focused, supportive environment. Designed to foster creative, intellectual, and personal growth, this residency is ideal for artists ready to dedicate time to a short-term body of work.

Residents are selected based on artistic merit, quality of work, and the diversity of each cohort—creating a dynamic and inspiring shared experience with up to two artists at a time.

1, 2, or 3-month residency options available Residencies run September 1 – August 31*
(*timeline may vary based on capital campaign fundraising)

Fall 2026 Application Deadline (September–December): April 15 at 5PM MST

Apply now and carve out the time and space your work deserves.

Job Posting: Executive Director and Editor

POSITION TITLE:

Executive Director/Editor

Part-time (30 hrs per week) permanent, remote
Salary: $45k

STUDIO POTTER MISSION / VISION:

Operating as a resource and a communal voice, Studio Potter represents the multiplicity of contemporary and historical ceramics by:

  • Publishing exceptional and thought-provoking content
  • Strengthening and growing our community
  • Connecting artists, educators, collectors, curators, gallerists, critics, historians, and learners through narratives, interviews, and critical essays

POSITION SUMMARY:   

Studio Potter is seeking a dynamic executive director and editor (ED) to serve as the leader and chief administrative officer of the organization, and an editor who will uphold the high quality of Studio Potter’s monthly content. Reporting to the board of directors, Studio Potter’s ED/editor acts as both the day-to-day manager and public face of the organization. The ED is the lead fundraiser and strategist, working with the board and board committees to develop and achieve the organization’s short-term and long-term goals. The ED must be equal parts administrator, fundraiser, editor, and advocate.

The ED is responsible for overseeing the organization’s finances and, working closely with the board, takes a leadership position in all development planning and implementation. The ED represents Studio Potter in its relationship with the field of ceramics, associations, and other institutions, and ensures that all actions and communications comply with policies and procedures set forth by the board. The ED furnishes appropriate support to the board, makes recommendations to the president and board as appropriate, and maintains confidentiality regarding all related matters.

DUTIES / RESPONSIBILITIES:

Operational Management

  • Ensure that day-to-day operations are effective, efficient, and up to date, including the organizational website, which houses SP’s online publication
  • Handle all aspects of human resource management: ensure staff/contractors/volunteers/interns function effectively and identify any needs for improvement
  • Working closely with committees and the board, assess and analyze all programming (SP Journal and Grants for Apprenticeships) to evaluate outcomes and identify areas for improvement, with the goal of keeping Studio Potter vibrant and relevant
  • Evaluate new initiatives to determine mission-worthiness and financial validity, strategically and aesthetically

Editorial and Journal Oversight

  • Work with the editorial committee to maintain and uphold the high quality of Studio Potter’s monthly content
    • collect, edit, and publish three  to five  articles per month;
    • coordinate and communicate with authors as needed and obtain author agreements;
    • curate high-resolution, professional-grade photos from each author;
  • Manage all website content, author biographies, and other tasks  as needed, ensuring articles are published monthly, on time, and announced via our newsletter and social media outlets, with an editor’s note, as appropriate
  • Act as spokesperson for the journal

Revenue Development 

  • Work closely with the board to increase revenues for Studio Potter
  • Working with membership and development committees, implement all fundraising efforts, including donor cultivation, annual campaigns, sponsorships/underwriting,  and membership growth
  • Spearhead grants research, writing, and reporting
  • Build relationships with funders, partners, and supporters to expand financial resources
  • Manage donor database and donation acknowledgements
  • Track and report on fundraising goals

Finance Management

  • Oversee finance accounts and work closely with the treasurer to ensure the accuracy of ongoing organizational finance
  • Prepare an annual budget prior to the start of the new fiscal year
  • Prepare quarterly budget vs actual reports for the board to review; Discuss appropriate actions, if needed
  • Manage all allocation of funds
    • Monitor revenues and cash flow
    • Be responsible for the authorization of all payment requests or delegations thereof
    • Work with the treasurer and auditor to ensure accountability and control
    • Keep the treasurer informed of any changes deemed necessary in the financial status

Marketing and Public Relations

  • Be active and visible in the clay community, serving as a spokesperson for SP and engaging with other organizations to increase awareness, participation, and collaboration
  • Manage a robust social media presence, keep the website up to date, and work to increase engagement on digital platforms
  • Work with the board to ensure growth and enthusiasm among patrons, writers, readers, artists, underwriters, and volunteers
  • Establish annual marketing goals for all programs and activities, monitoring progress toward these goals, and working closely with the board  to plan communications to reach target audiences

Experience/Qualifications:

  • Knowledge of and a passion for the national and international ceramic community
  • Experience in journalism/copy-editing preferred
  • College graduate with at least three years’ management experience, preferably in a nonprofit arts organization or related area. Prior experience as a director or in a development capacity preferred.
  • Experience with fundraising strategies and donor relations.
  • Financial management skills, including budget preparation, analysis, decision-making, grant writing, and reporting preferred.
  • Strong organizational abilities, including planning, delegating, and task facilitation.
  • Ability to work positively and collaboratively with board members and other volunteers
  • Excellent public speaking, public relations, written, and interpersonal communication skills

How to Apply:

Please send a cover letter expressing your interest in the role and related experience, a resume or CV, three references, and a writing sample (if available) to [email protected].

Deadline: August 1, 2026

Start Date: Late Fall 2026

technical tuesday: Smogware by Iris de Kievith and Annemarie Piscaer

“Smogware is a publicly engaging project to provoke debate and behaviour change towards improved air quality. Harvesting smog dust is used to stain ceramic glazes, the particulate matter makes visible and even tangible the poor air quality that surrounds us. Smogware has collaborated with researchers and ceramic makers from the Netherlands, to global cities from Milan, Berlin, to Beijing and London. Smogware aims to empower citizens how to harvest their local dust and use it to investigate the colour of a local smog-glaze and air quality.”- via smogware.org

monday morning eye candy: Roberta Massuch

Getting back to collecting images for #mondaymorningeyecandy is likely my favorite part of this blog, no lie. It’s basically as though I were creating the largest, dreamiest exhibition of ceramic ever, and considering who and why to include work. Coming back to the blog after so many years I wasn’t sure where to begin. So I did a random thing. I picked a time in the archives and opened the links and the first random monday morning eye candy I found was this one about the artist Roberta Massuch.

I was thinking it’s be fun to do a sort of then and now post. Anyone from past monday morning eye candy posts you’d like to see again? Were you an artist that was previous featured? Drop me a line. Till then enjoy these pieces by Roberta.

“Influenced heavily by the architecture of her surroundings, Roberta Massuch (Philadelphia, PA) creates functional pottery, sculpture, and 2d artworks. Massuch received her BFA in ceramics from Northern Illinois University and her MFA from Louisiana State University. Teaching positions include The Clay Studio (Philadelphia, PA), Tyler School of Art (Philadelphia, PA), and the Community College of Philadelphia. She has participated in residencies at The Clay Studio, The Wharton Esherick Museum (Malvern, Pennsylvania) Tyler School of Art, Northern Clay Center (Minneapolis, MN), and Arquetopia Foundation (Puebla, MX). Her work has been exhibited at universities, institutions, galleries, and museums across the United States.” (via her website)

www.robertamassuch.com

call for entry: Want to see your work in the September 2026 issue of Ceramics Monthly?

This year’s contest theme, “Bold Choices,” will include work from across our field from makers unafraid to stand out. Whether you express yourself with vivid colors, exciting forms, eye-catching surfaces, grand adornment, or bold concepts, we want to showcase the many ways makers use their work to communicate with courage and drama. Deadline is June 21, 2026!

Submit your work here.

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