Help Save Inspirations Studios

 

From their funding page: “We are heartbroken to share that Inspirations Studio is facing imminent closure.  For 23 years, the ceramics-based program has supported hundreds of low-income women who have been impacted by poverty, homelessness, addiction, trauma, and mental health issues.

You can learn more about the program here.
As we look for stable funding and a new partner, we are asking for public donations to keep the program alive.  Our target of 60K will sustain the program through 2018, in conjunction with funds we are anticipating from the City of Toronto and those received already from an anonymous donor.  Together this support will secure studio rent, bills, materials, and skeleton staff so the current members can sustain their essential income, continue to access a safe space to be creative, and maintain a sense of meaning and purpose.  As one member told us, “Inspirations saved my life.”
Although we aim to reach our target and sustain the Studio for one year while we find long-term funds, any amount raised will help extend the program beyond 2017 and support the participants.  Any and all donations represent a success and will benefit the women. “
Visit the organizations website here: https://inspirationsstudio.org/inspirations-studio/
Article about the Studio in the Star.

online workshop: The Head in Clay with Cristina Cordova

Because of the slow, gradual unfolding of a clay sculpture it is often hard to relay the full arc of a piece from beginning to end in the traditional workshop context. This course will offer an intimate vantage point to study and understand all of the steps, tools and materials that come into play to create a clay head. With the methods showcased in this course and the open floor chat sessions between demonstrations to answer questions you will be fully empowered to create clay heads of different scales in your own studio. This course includes supplemental printed material that follows the course structure and several opt-ins to customize your experience.

Curriculum:

VIDEO MODULE 1: Before We BeginTools, Materials and Workspace Setup

VIDEO MODULE 2: Sourcing Anatomical References

VIDEO MODULE 3: Hollow Construction With Easy Patterns At Any Scale

VIDEO MODULE 4: The Skull Basics

VIDEO MODULE 5: Adding Features and Introducing Tools

VIDEO MODULE 6: Tricks and Techniques for Refining and Cleaning the Face

Registration: http://travel-arte.squarespace.com/new-page-1

movie day: Armour by Keegan Luttrell

Individual protections, once made of iron, were meant to defend their owner and improve human capacities. They would shape the body to act as a second layer, define one’s identity and belonging, and maybe, repulse the adversary. From head to toe, covered by her all-in-one, how would Joan of Arc feel wearing her “victorious” harness while marching on Paris?

The inhabitants of an armour chose whether they wanted it to be light and adherent or massive and constructing, either allowing a greater rapidity of movement but with less efficiency or defensive but rigid and heavy, constricting the range of action. In each case, the protection reveals its fragility.

From chainmail to bulletproof vests or tribal face tattoos, the defensive shields made a long way since the heavy overalls and took diverse outlines. Kevlar, polyethylene of molar mass, light metal, ceramic plates or ink; materials and forming varied and evolved regarding mobility and clinging functions to such an extent, that they tend to become imperceptible.

Keegan Luttrell extends this investigation field to other forms of protection or self-defense. Her interest focuses exactly on the invisiblearmours, involved in a daily context. The ones we wear on facial features or disguised under gestures and behaviors.

Through her analysis and in the exhibition taking place, they become tangible, as to allow a closer observation, as if we could even try them. Face lines converted into ceramic pieces strengthened by fire and shattering if mishandled. These fine bone structures are here engaged in a ritualized course, their brittles taken by fluids and movements, turning back into sediments, as the objects are activated by their dissolution.

-Marie DuPasquier

keegan-luttrell-mj0h.squarespace.com