call for entry: Officine Saffi Ceramic Awards

Officine Saffi awards those artists who have chosen ceramics as their main expressive language for a research between contemporary art, collectible design and craft. Now in its fourth edition, the competition is open to all contemporary artists and designers of any age, whether emerging or established, individuals or members of collectives, and with no restrictions on theme, gender or nationality. Up for grabs € 10,000 and 8 Residency prizes.

WHO: Ceramic artists worldwide

LOCATION: Residency prize locations include: The Netherlands, Denmark, Switzerland, Italy, Japan, and Finland

DEADLINE: November 30, 2020

FINE PRINT: During registration, each artist must indicate which residency prizes they intend to compete for (all prizes are open to them). Nevertheless, if an artist wins a residency award that they cannot take up for proven reasons, the partner will assign it to another finalist. The work which wins the cash first prize will become part of the Officine Saffi collection. Entry Fee: €50 for artists over 35, €30 for artists under 35. Learn more here.

a site to see: Black Craftspeople Digital Archive

“The valued decorative arts, architecture, and handcrafts of the early American South depended on African American hands, a truth highlighted by folklorist John Michael Vlach in the seminal exhibit, “The Afro-American Tradition in Decorative Arts” at the Cleveland Museum of Art in 1978. Yet, some forty years later, too few historians, museum curators, and certainly visitors to the public history institutions of the United States are presented with that truth. The Black Craftspeople Digital Archive (BCDA) seeks to showcase black craftsmanship while bringing to light the stories of black craftspeople.”

job posting: Henry Luce Curatorial Fellowship for Native American Art

The RISD Museum of Art is currently accepting applications for their Henry Luce Curatorial Fellowship for Native American Art. According to the posting, this fellow will “assist in the interpretation and care of the RISD Museum’s Native North American collection through active engagement in provenance research, cataloging, building a network of experts and tribal representatives, reviewing storage and display requirement, and creating interpretation and programming based on this work.”
Click on the link below for more information and details regarding application procedures.

The RISD Museum was founded on the belief that art, artists, and the institutions that support them play pivotal roles in promoting broad civic engagement and creating more open societies. Established in 1877 as part of a vibrant creative community, the RISD Museum stewards works of art representing diverse cultures from ancient times to the present and interprets our collection with the focus on the maker and deeply engages with art and artists. As an employer, RISD offers a supportive, collegial, and inclusive work environment, and a competitive benefits package. To learn more about the RISD Museum visit

grant opportunity: CERF+ The Artists Safety Net COVID-19 Relief Grant

GRANT OPPORTUNITY: If you are artist working in a craft discipline (or you know of one) who has been affected by COVID-19,

CERFplus is here to help.
We’re now accepting applications for the second cycle of our COVID-19 Relief Grant Program. This program will provide one-time $1,000 grants to artists working in craft disciplines who are facing dire circumstances due to food, housing, and/or health insecurities. Here’s the link!
Priority will be given to eligible artists who have traditionally been underserved by the grantmaking community, including people of color and folk and traditional artists. The deadline for the second cycle is September 9 at 5:00 P.M (ET).
Pictured: Rachael Scharf of RachaelPots Kitchen
Rachael is a studio potter and ceramic artist who received a Get Ready grant from @CERFplus to purchase a ceramic grade HEPA vacuum for her studio.

Jyotsna Bhatt: High priestess of fire and clay passes away


“Simplicity and vividness were the best attributes to describe her art and ceramics. Simplicity, for her, meant silent sophistication. Nature was her leitmotif. She framed forms through her own understanding of nature and human experience.

A ceramic cat or owl was more than just an artwork for her. She glazed her ceramics in such an inimitable way, giving them evocative rugged and rough surfaces.

Jyotsna behen, as she was popularly called, considered Ira Chaudhri as the Guru of the Indian ceramic movement. In India where a lot of ceramic work has echoes of borrowing/imitation, Jyotsna behen’s intrinsic understanding of the relationship between form and the ferment became her signature.

Her sculpted entities around nature, the spontaneity of clay and the marvels of expression speaking through her plant forms, owls and smiling cats.

Born Jyotsna Shroff in 1940 at Mandvi in Kutch, she lost her father early but her uncle saw her aptitude in fine arts and encouraged her to pursue it.

Her journey at the wheel began in the 1960s in Vadodara. A high priestess of the world of minerals and fire and clay, she looked around her garden at Vadodara for stimulus and inspiration.

Married to celebrated artist and Padma Shri, Jyoti Bhatt, she always maintained that her husband was very supportive and her family played an important part in her achievements.

She studied sculpture under Prof. Sankho Chaudhuri at the famed M.S. University at Baroda and later ceramics at the Brooklyn Museum Art School in the U.S. Returning to India she taught at, and later headed the Department of Ceramics at her alma mater until her retirement in 2002.

Her sensitivity and her distinct sensibility was born of a deep understanding of the arts and crafts heritage of Gujarat. Her journey saw the genesis of a silent yet robust modernist potter, who was at home in the contemporary world and comfortable in her own skin, sharing secrets as she went along.”

Read the full article on her life and work HERE.