call for entry: Cup: The Intimate Object XVII

We are accepting submissions for Cup: The Intimate Object XVII, which we will host this fall. Each year this international exhibition brings together some of the most exciting handmade cups in contemporary ceramics. We welcome submissions by national and international artists in all stages of their careers, from current students and artists who are just emerging on the scene to those who are well established.
We require submissions to include exactly five outstanding cups that are the same ones you would send for the show if accepted. You can review all submission requirements and details under Gallery Submissions on our website. As usual it is free to submit cups for consideration for this exhibition.
View submission details and important show dates here.
We look forward to seeing your cups!
Artists from Cup: The Intimate Object XVI pictured above (L to R): Avesha DeWolfe, Helle Bovbjerg, GretaMichelle Joachim, Louise Lovelace, Rom Marinkovich, Adriana Christianson, Jana Evans, Allee Etheridge, Annemiek Hamelink, and Maureen Marcotte

residency opportunity: Lunenburg School of Art

It is the intent of the our Artist-in-Residence program to provide a space for emerging artists, including recent graduates, to enable them to develop and enhance their practice in their chosen medium. Applications will be reviewed and selections awarded by a committee comprised of directors of our School. The program will host two artists each year, one in each of our two terms:

Winter Term: February 14, 2022 to May 20, 2022
Application Deadline: August 31, 2021
All winter term applicants will receive notice on their application status by September 30, 2020.

The Artist-in-Residence will have 24-hour access to an independent studio space at the Lunenburg School of the Arts located in the heart of Lunenburg, Nova Scotia, a UNESCO World Heritage site and hub for arts, culture, and music.

The Artist-in-Residence will receive a stipend of $500.00 (CDN) per month and is responsible for her/his own material costs and sourcing. This program is a studio only residency; the Artist-in-Residence is responsible for her/his own living and travel arrangements and expenses.

A public exhibition of the work completed here by the Artist-in-Residence will be held at the end of the term at the School, together with a reception hosted by the School. At this event the Artist-in-Residence is expected to give an ‘Artist Talk’ in relation to the work she/he has completed during the term. The School also asks that the Artist-in-Residence provide our School with one piece of art created during the residency period, which artwork will become a part of our School’s archives and may be used for fundraising.

To apply, please submit the following in a single email to, subject line: “Artist-in-Residence Application”.  

  • A current résumé/curriculum vitae
  • Artist Biography
  • Project Brief and Timeline (300 words maximum)
    • Describe materials and process that may be used for this project.
  • Five to ten Digital Images of your work (image format: JPEG)
  • Include respective titles, dates, dimensions, and material/medium

Application Deadlines: Fall Term: March 31, 2021, Winter Term: August 31, 2021.

In light of the COVID-19 pandemic our School adheres to the safe health guidelines and directives of the Nova Scotia Public Health Authority.

call for entry: Material Mugs VI: UNDERGLAZE

Open to Coffee Mugs, Cups, Goblets, Tumblers and other drinking vessels which use UNDERGLAZE. 

2021 Juror: Michelle Ettrick

“I was a non-English speaking 13-year old when I arrived in the United States in 1982. Life in Brooklyn, New York was a stark contrast to my early memories of Panama and the simple joys of climbing trees and playing with my friends while my mom was nearby hanging clothes on the line. As an Afro-Latina, I struggled to find a community that would accept me and where I felt I belonged.  My own identity was regularly challenged by others who judged me by the texture of my hair or the fact that I spoke Spanish fluently and struggled to communicate in English. When judged by adults and my peers, my hair was “too good” to be considered black and the color of my skin was too dark to be speaking Spanish. In addition to the hardships, I have many fond memories of my time in New York.  Brooklyn is where I learned about double dutch and cooling off from the New York summer heat in the open fire hydrants.

I love being a maker and clay is my medium of choice. Clay is a very personal material to me. When I put my hands in the clay and my fingers get lost in the mixture, for the moment, we become one. I stretch pull, pinch and form shapes where I leave evidence of my having been there. I follow up by drawing on my work where I embrace my natural curly hair, heritage, womanhood and at times current worldly struggles.  My artwork is a record of my experiences as an Afro-Latina American.”

-Michelle Ettrick

Material Mugs is our annual material based cups show and this year we will again be featuring underglazes! Our hope is to exhibit cups which express the full range of surface possibilities- underglazes that are trailed, painted, sprayed, transferred, washed, globbed on, inlayed etc. 

Now in its sixth year, Material Mugs is one of the most anticipated juried ceramics exhibitions by makers and collectors alike. This will be the 3rd juried exhibition at our new location. 

The exhibition is open to cups using every type of clay, temperature, and atmosphere, just as long as underglazes are used in the process.

Companion Gallery will be printing custom t-shirts designed by Michelle Ettrick and the entire exhibition will be available for sale online.

The exhibition opening will be held at our new location on Friday September 10th 

Companion Gallery 3600 East Mitchell Street, Humboldt, TN, as well as ONLINE at

Participating artists will each receive a complimentary t-shirt designed by 2021 juror Michelle Ettrick.


The Ceramics Congress starts tomorrow!

Okay so i really didn’t mean to drop off over the past few weeks, my apologies! But I promise I had a really good reason – I’ve been working behind the scenes on The Ceramics Congress which starts tomorrow! The event goes for 5 days, is jam-packed full of workshops from international artists, talks, fun challenges, artists markets, film fest and a HUGE online exhibition of 88 artists. I literally can’t name it all there is so much.

So I really hope you’ll join us this weekend. We already have over 5000 attendees signed up from around the world!

And it’s only $10 if you buy your ticket asap and seriously where else can you get this much ceramic fun for $10???

And if you can’t make it this weekend you can buy the replays for life for only $59 – still ridiculously cheap!!!



The house of ancient Greek pottery: Arslan Eyce Amphora Museum … The museum, which gathers amphorae attached to fishing nets, off Mersin, Taşucu and Antalya, exhibits more than three hundred works. The amphoras, which shed light on the lively commercial relations of the period with their diversity of buildings, were used in the transportation of olives, oil and grain. Turkey’s first and only museum of earth figures: Taşucu Amphora