“Commonly Uncommon: Selections from the Museum of Contemporary Craft Collection”

We are pleased to announce “Commonly Uncommon: Selections from the Museum of Contemporary Craft Collection”, a three-part exhibition of objects and archives on view November 3 – December 10, 2022.
Co-curated by Hannah Bakken Morris, Sara Huston and Abby McGehee.
Please join us for a public reception on Thursday, November 3 from 5-8-pm and return in the following weeks of November for a panel discussion and film viewing.
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The Museum of Contemporary Craft served as a vital nexus for the consideration of art, craft and design in Portland from its founding in 1937 to its dissolution in 2016. The permanent collection and the institutional archives, under the stewardship of PNCA and Willamette University, remain important resources for these continued and ever-shifting conversations. This exhibition presents objects that illuminate issues of function, use, the nature of labor, and methods of production. Viewers can engage with both objects and archives to understand the way in which they inform one another as well as the multiple ways makers, curators and audiences appreciate and define an institution and its place in a regional artistic ecology.
A complimentary panel discussion about the collection, craft, and community-building will take place on Thursday, November 17, 2022 from 6:30-8pm at the Lemelson Design and Innovation Studio on the 1st Floor of PNCA. This discussion will be moderated by Namita Gupta Wiggers (past Curator for the Museum of Contemporary Craft) and will include exhibiting artists Hilary Pfiefer, Joe Feddersen, Charissa Brock and other exhibiting artists. This event is open to the public, free of charge.
Additionally, please join us a week earlier to attend a screening of “Handmade Nation: The Rise of D.I.Y. Craft, Art and Design”, a film made by exhibiting artist Faythe Levine, in the PNCA Mediateque on Thursday, November 10th at 5pm. This film is the culmination of nationwide research and interviews for which its archive will be displayed in the Dane Nelson and Ed Cauduro Collection Studies Lab at PNCA, as part of the Commonly Uncommon exhibition. This event is open to the public, free of charge.

Studio/Gallery Shop for sale Nova Scotia Canada

Want to move to Canada and have a dream studio/gallery shop space? Look no further:

Artists! a rare and golden opportunity! This iconic yellow artists’ house in the heart of Annapolis Royal, on the Annapolis Royal Farmers and Traders Market has been a gathering place for folks to display, look at and purchase art and fine craft for years and years. Or, if you’ve ever wanted to take a peek inside, here’s a tour.

 

Early Career Fellowship for BIPOC Ceramic Artists

We are pleased to announce our inaugural Early Career Fellowship for BIPOC Ceramic Artists. The Fellowship has been established to support artists of color who are embarking on a career in functional ceramics.

We are a dedicated group of professional potters in Western Massachusetts. Every year since 2004 we have opened our studios to customers for the Asparagus Valley Pottery Trail, held on the last weekend of April. The Trail has continually grown in attendance and sales and has a forward momentum that we feel excited to share with the recipients of the Fellowship. We invite you to apply and experience the thriving pottery community and creative economy in Western MA.

Our customers and collectors travel from near and far to shop, learn, and explore the region. We mail our event brochure to over 10,000 homes and reach thousands through our email and social media campaigns. We feel confident about offering an excellent opportunity to an early career artist through this fellowship.

Recipients will join the 2023 Asparagus Valley Pottery Trail on April 28th-30th 2023 as guest potters at one of our host studios.

https://asparagusvalleypotterytrail.com/…

call for proposals: Gardiner Museum Artist Residency


The Gardiner Museum is seeking proposals for the newly established Gardiner Museum Artist Residency.

About the Gardiner Museum
The Gardiner Museum brings together people of all ages and backgrounds through the shared values of creativity, wonder, and community that clay and ceramic traditions inspire. We engage audiences with exhibitions, programs, and hands-on classes, while stewarding a significant permanent collection. We interpret historical ceramics to emphasize their relevance today, and champion emerging and established Canadian artists and their role in the broader world. We innovate through clay education, as it brings together the experience of making with a deeper understanding of the art of ceramics.
About the Gardiner Museum Artist Residency
The Gardiner Museum Artist Residency will offer public working space and access to Museum resources to a single artist or collective for the development of their work. The aim of the Residency is to offer a unique opportunity to an established or mid-career artist to pursue a larger-scale project; cultivate new directions in the field of ceramic art; elevate awareness of and appreciation for contemporary Canadian ceramics; and support diverse participation in the field of contemporary ceramics.
Artist Residency Description
Residency
The Gardiner Museum Artist Residency will provide the successful applicant with a paid residency opportunity that will last 8 – 12 weeks, between April and June 2023, during which time the resident will have primary access to the Laura Dinner and Richard Rooney Community Clay Studio. Access will be granted during building hours from Monday – Friday, with limited access possible on Saturdays, Sundays, and some evenings. The resident will have a dedicated workspace and storage, while maintaining the accessibility of other scheduled programming in the studio. The resident will be trained by Gardiner staff in object handling procedures and be granted access with supervision to the permanent collection. The resident is encouraged to use the library, archives, and other Gardiner resources as part of their project. Access will be facilitated on an as needed basis.

The Residency will include a public-facing role, with Museum patrons able to visit the resident’s studio during designated hours. Further, the resident will offer a public program at the Museum, either a talk on their project; a special short-term workshop; or a sessional class.

The resident will agree to work a minimum number of hours on site (avg. 20/week) and will schedule bi- weekly check-ins with a staff member.

Projects
The outcome of the Artist Residency will be to complete a specific project that is considered a new body of work. It is acknowledged that the project may change from the time of application to the completion of the Residency. Proposed projects should be ones that the applicant would find difficult or be unable to complete without the Residency, due to time, space, equipment, or other reasons. Projects
will ideally include a research component that builds off the Gardiner Museum collections, archives, library, or other materials. Projects should use materials and equipment compatible with existing studio activities. A final exhibition of the project is not assumed to be a component of the Residency.
Budget
The Artist Resident, be they a single artist or collective, will receive a $14,000 stipend toward accommodation, travel, as well as all cost of living, salary, and outside research costs for the time spent in Toronto at the Gardiner Museum. The Artist Resident will directly manage these funds, with distribution and accountability guidelines specified at the time of acceptance. While all situations differ and thus budget allocations can vary, the program is designed for the successful applicant to receive a living wage while in Toronto. In addition to a stipend, the Gardiner Museum will provide $5,000 towards materials, equipment, and firing costs.
Eligibility
The Artist Residency is designed for established and mid-career artists with a demonstrated commitment to ceramics. That is, someone who can benefit from the opportunity of dedicated work time and space, as well as the further resources of the Museum, but not someone who is at the initial stages of their work as an artist. Mid-career in this context would typically mean more than eight (8)
years of professional experience as an artist but less than thirty (30). Artists should have a clear interest in ceramics, although it does not need to be their exclusive medium. Artists will be citizens or Permanent Residents of Canada, with a record of having presented original artwork in Canada. Applications will be solicited nationally, and the Gardiner encourages applications from all qualified candidates, including those from visible and invisible minority groups such as Black and Indigenous people, people of colour, and those with disabilities.

Proposal Requirements
Interested applicants are required to please submit the following:
1. CV (up to 5 pages)
2. Letter of Intent (1 page) providing a narrative description of your practice, commitment to ceramics, and current career status, emphasizing how the Artist Residency will nurture development in these areas.
3. Project Proposal (4 pages maximum) describing what the applicant intends to make, why, and how being at the Gardiner would support the realization of the project. Proposals can include sketches, diagrams, and images as part of the four-page maximum. Images of completed works by the artist should be included in the portfolio rather than proposal. Ceramics should be the dominant material of the project, but does not need to be the sole material. Not all elements of the project need to be completed at the Gardiner. Only one proposal per artist or artist team will be considered. Proposals should include a budget and timeline.
4. Portfolio (15 images total) of completed artworks by the artist or collective. Recent rather than retrospective images are preferred. Detail images are welcome, but they will contribute to the total which should not exceed 15. Please ensure artworks are clearly visible.
Please submit materials as a single digital PDF. Complete submissions must be received by the Gardiner Museum by 5 pm EST on October 28, 2022, to be considered. Incomplete submissions will be subject to disqualification. All submission materials will be retained by the Gardiner Museum.
Finalists can expect to be contacted by late November for an informational interview.
Submit complete proposals to:
[email protected]
Only packets received electronically will be reviewed.

Selection Process
Applications will be assessed based on merit; a demonstrated commitment to the field of ceramics; benefit to the candidate; feasibility and originality of the project; and ability of the candidate/project to engage the full resources of the Museum. Proposals will be measured also on their potential to be realized within the budget and time allotments. We hope that any applicant would bring a fresh perspective on ceramics and Gardiner’s collection, while enriching the diverse dialogue that helps the Gardiner build community with clay. The Gardiner Museum Artist Residency is made possible through the generous support of Dr. Pamela Goodwin.

www.gardinermuseum.on.ca

Matthew O’Reilly artist talk @ Craft Alberta

Join the Alberta Craft Council for a virtual Artist Talk and Closing Reception of Procession of the Self on Monday October 17, at 7pm MDT,
Procession of the Self is an Alberta Craft Council solo exhibition by 2022 Winifred Shantz Award for Ceramics winner Matthew O’Reilly. The figural ceramic works in Matthew’s show were developed during his year-long residency at Medalta in Medicine Hat, Alberta. Through the iterative making and exhibiting process, Matthew’s work has evolved from gallery white, distorted public statuary to richly expressive, towering figures. Using the sculpted figure as a launch pad for conversation about the human condition and making reflexive work that pushes, pulls, and complicates dialogues around identity, Matthew’s work conveys a personal narrative while simultaneously being a larger cultural time capsule.
Learn more about this FREE virtual event and register: http://ow.ly/7Y1350KQMnc
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