Print on Clay Workshop with Kathy King


July 28, Thursday, 10:00 am – 4:00 pm

Ceramics Program, Office for the Arts at Harvard

219 Western Ave
Allston, Massachusetts

This workshop will combine traditional printmaking techniques on clay including mono-printing on plaster with slip-cast clay, silk screening, stencils, laser-transfer decals, embossing, and relief printing. Areas to be explored will be creating a vocabulary of imagery, narrative and composition onto both hand-built and wheel-thrown forms. All techniques can be applied to work within any ceramic firing range and will be presented in a way that is easy to replicate in one’s own studio. Historic and contemporary examples of artists who combine printmaking with ceramics will shown.

Fees: Enrolled in Course: $50, not enrolled: $100

Registration form:
http://ofa.fas.harvard.edu/courses/reg.php

Email [email protected] completed registration form, or for questions.

Biography: Upon her return from the Penland School of Crafts in Penland, NC, instructor Kathy King is eager to share techniques featured in the course “Print Buffet” that she co-taught with Paul Andrew Wandless, author of Image Transfer on Clay: Screen, Relief, Decal & Monoprint Techniques (A Lark Ceramics Book). King is currently an active studio artist, instructor and Assistant to the Acting Director of the Ceramics Program, Office for the Arts at Harvard. A former Associate Professor at Georgia State University in Atlanta, GA, she has been an instructor at Connecticut College, New London, CT, School of the Museum of Fine Arts Boston, Boston, MA and UMASS – Dartmouth in New Bedford, MA. She has given workshops and lectures at over fifty colleges, schools and art centers through out the USA. Her exhibition record includes solo shows from across the US. She was featured as both an Emerging Artist in 1999 and a Demonstrator in 2002 at the National Council on Education for the Ceramic Arts conferences.

Her work has been published in Sexpots by Paul Mathieu, The Art of Contemporary American Pottery by Kevin A. Hulch, Teapots Transformed by Leslie Ferrin, Handbuilt Tableware by Kathy Triplett and The Glaze Handbook by Mark Burleson. Her work can also be found in numerous periodicals including Ceramics: Art and Perception, Studio Potter, Clay Times, Art Papers and Ceramics Monthly. She can be contacted via her website.

For all the details please visit website.
For more images of Kathy’s work please visit her website.

Bazaart tomorrow


Well the prediction is for rain and thunderstorms, but what can you do? Rain or shine i’ll be at Bazaart tomorrow. If you’re in the area and can stop by, please do!


Saturday, June 18, 2011 | Sponsored by SaskTel | 10 am – 5 pm | Admission: $5
Bazaart takes place in front of the MacKenzie Art Gallery and T. C. Douglas Building parking lot at the corner of Albert Street and 23rd Avenue. Parking is located north of the MacKenzie Art Gallery, just off Albert St., Regina Saskatchewan.
For more info on Bazaart and all the participating artists please visit their website.

Worth a read: Mudstuffing Featured Seller Interview on Etsy

“When I started making functional works of art, I knew I had found my calling. I found meaning in the humble act of making something useful. I like making each item a little different, hoping they turn a thoughtless consumption into something that makes us more aware and present. I feel like the message and humor is more subtle in my pots, but the moment in which they are used is more intimate and meaningful.”

Read the whole post here on Etsy. And don’t forget to check out his shop too.

Adaptations: Gestures for Survival by Mary McKenzie


This year’s winner of the Sheridan College Gardiner Museum Award, presents a solo exhibition and reception for Adaptations at the Gardiner Museum.

The show runs May 6 to July 10th
“In my site-specific installation Adaptations, I have constructed bricks, modeled figures and clay-dipped both organic and non-organic objects. The dipped objects are attached to the figures and fired as body-parts.

My ceramic process gravitates towards experimentation and material failure. The inherent fragility of ceramics translates into narrative in my work. Bricks are heavy objects, which in multiples can: shelter, protect, detain, demarcate, divide, collapse. Within this environment my figures adopt survival adaptations taken from industrial, natural and entertainment models, coping responses to an unpredictable world”

Gardiner Museum
111 Queen’s Park
Toronto, Ontario
CANADA M5S 2C7