Material Matters @ the ANU

van den Heuvel, Kao-Lin

Material Matters is a major exhibition focusing on works drawn from the ANU Ceramics Workshop Teaching collection. It links a broad range of community based events which will involve all members of Canberra’s ceramic networks. From professional masterclasses and open workshops, from community woodfirings to exhibitions, from guided school tours to the symposium there will be something for everyone.

International Visiting Artists include Anton Reijnders | Netherlands
Netty van den Heuvel | Netherlands
Ray Chen | Taiwan/USA
Christina Bryer | South Africa

SYMPOSIUM | MATERIAL MATTERS

Presentations by students, faculty and artists on the nature & meaning of their material research. Submissions for papers (20mins) are invited – please contact Janet DeBoos | [email protected] Friday 19th August 6-8pm Exhibition opening / Reception
Saturday 20th August 10am – 5pm Keynote speaker Anton Reijnders
Sunday 21st August 9am-12pm & 1 – 3pm Open Studio Cost $55 gst incl (includes reception & Saturday lunch $30 gst free (Full Time secondary and tertiary students)

WORKSHOPS

Ray Chen | Material expression (presentation and demonstration)
Thursday 4 August 10 – 4pm
Cost: $66 gst incl

In this demonstration workshop on the expressive use of clay, Visiting Artist Ray Chen (USA) will lead students to examine the potential of clay to describe emotion and feeling, whilst considering the sculptural requirements of 3-D objects. His work on the theme of Mother & Child will also be discussed and aspects of its making explained.

Joanne Searle | Transferring – transfer printing on clay
Saturday 6 August 9 – 1pm
Cost: $33 gst incl

This one day workshop will cover various ‘print on clay’ techniques including plaster monoprints, fabric & tissue transfer as well as low-tech etching. These printed surfaces will be applied to both wheel thrown and hand built forms. Various methods of treating the surface at the raw, bisque & high firing stages will be covered. Tiles and materials will be provided at cost.

Janet DeBoos | I can see clearly…
Sunday 7 August 9 – 1pm
Cost: $33 gst incl

A good clear glaze- although often seen as the simplest of ceramic surfaces- is frequently difficult to achieve. This workshop will examine the reasons why a glaze is not clear, how to make it clear, and how clear glazes can be adjusted for different temperatures. Demonstration materials and tiles supplied at cost.

Anton Reijnders | Thinking through making (terra sigillata)
Tuesday & Wednesday 9 & 10 August, 9am – 1pm Cost $66 gst incl

In this workshop- the renowned Netherlands author of ‘The Ceramic Process’ (A&C Black) will ask “What makes a good terra sigillata? On the basis of practical tests students will find out how to make and apply terra sigillata and moreover learn about the mineralogical makeup of clay. Materials supplied at cost. Student should bring no less than 100gs of dried, pulverised clay to the workshop- preferably gathered locally- but could be any dried commercially available body.

Netty van den Heuvel | Dialogue in 3 Dimensions (mixed media workshop)
Thursday & Friday, 11 & 12 August 9 – 1pm & 2 – 4pm
Cost: $110 gst incl

An exploratory workshop in three dimensions, using clay, and found objects, as well as an enquiry into the potential of combining clay with other materials such as silicone. Students will be invited to go through a series of structured exercises in finding, looking and making

Greg Daly | Alchemy- lustre glazes
Saturday & Sunday, 13&14 August 10 – 1pm
Cost $66 gst incl

This two day workshop with acclaimed glaze maestro Greg Daly (author of Lustre- A&C Black- due to be released early 2012) will cover all aspects- making, applying and firing- of that enigmatic ceramic surface -lustre.
Four different ways of achieving this surface will be explained- pigment lustre, lustre glazes, resin lustres and fuming. Materials will be provided at cost.

Christina Bryer | Working with porcelain from a non traditional angle
Thursday 18 August 10 – 4pm
Cost $66 gst incl

This demonstration workshop will attempt to unravel the three interwoven aspects of Christina’s work and examine them in the light of the following themes:
Art & Design (inspirations and influences), Geometry (Aperiodic Tiling and Sacred Geometry, from Plato to Penrose and back again) and Technical Explanations (working with porcelain in a non-traditional way)

(Note that all workshops are subject to minimum numbers to run, and will be cancelled with less than five participants. There are also a ton of exhibitions and other events taking place. Please visit their website here for all the details and make sure to attend if you can, sound like a good one!

Clay studio: Guest Artist in residence opportunity

The Guest Artist-in-Residence program is open to any artist whose primary medium is clay. Since 1992 the Clay Studio’s Guest Artist-in-Residence program has hosted artists from over thirty five countries including Anquilla, Australia, Belgium, Canada, China, The Czech Republic, England, Finland, France, Germany, Greece, Hungary, India, Iran, Ireland, Israel, Italy, Jamaica, Japan, Korea, Latvia, Lithuania, Mexico, Peru, Puerto Rico, Romania, Russia, Sweden, South Korea, Spain, Taiwan, Wales, and the United States. View a list of current, upcoming and past Guest Artists-in-Residence. The Guest Artist-in-Residence Program provides:

  • a 12 x 12 ft. studio on The Clay Studio’s third floor
  • an apartment across the street
  • a materials and firing stipend of up to $200
  • and a $500 a month living stipend.

Residencies vary from 4 to 8 weeks, but both shorter and longer residencies have occurred to accommodate an artist’s schedule or to allow for a larger project. Some technical assistance is provided, but this program is designed for artists to work independently.

Artist Requirements

Each artist is required to leave one work for the permanent collection, present an evening slide lecture for The Clay Studio community, and accompany the Claymobile outreach program and/or offer demonstrations in the Studio’s classes. These obligations usually amount to no more than four hours each week. When appropriate, workshops are offered by the artists for an additional honorarium. Artists may be requested to present slide lectures to nearby university ceramics programs (honoraria are arranged by the universities). The artist is responsible for his/her own travel to and from The Clay Studio.

Interaction with The Clay Studio Community

The program has very little structure by design. The artists are provided with keys and may choose to work when they find it most advantageous. They are expected to be open to the questions of Clay Studio students and artists, while The Clay Studio community has been requested not to become too obtrusive. The central location of the guest artist studio has been described as a “fish bowl” but in the past, artists have enjoyed ample contact with people working at all levels in ceramics. This also facilitates quick socialization for the guest artists.

Works Created During the Residency

Aside from the piece selected for the permanent collection, works created during the residency are the property of the artist. Artists are encouraged, however, to leave a small group of pieces for the annual group show entitled “Made at the Clay Studio”, held in June or July of each year. The Studio retains 50% of any works it sells for the artists. Unsold works included in the exhibition may be left at the Studio for a maximum of one year and are fully insured by The Clay Studio. After one year, the work shall become the property of The Clay Studio or will be returned to the artist at their expense. All other work created over the course of the residency shall be shipped to the artist at their own expense. Shipping arrangements must be made prior to the end of the residency.

Application Process

No slides will be accepted for review, ONLY DIGITAL IMAGES. A complete application must include the following:

  • a completed application. Download an application [PDF, 49K]
  • a resume in hard copy
  • artist statement in hard copy
  • a project description (describe as fully as possible what you plan on doing over the course of your Residency) in hard copy
  • a disc with 10 digital image .jpeg files at 72 dpi, with the image’s longest dimension not exceeding 700 pixels. Each image file should be labeled as follows: imagenumberyourfirstinitialandlastname.jpeg, Example: 1jdoe.jpeg, 2jdoe.jpeg, ect.
  • a corresponding image list in hard copy that includes the following: image number, title, medium, size, and date.

NO DISCS WILL BE RETURNED AND NOTIFICATION WILL BE MADE VIA EMAIL. There is no application fee.

Selection Process

Artists are either identified and invited outright by the Artistic Director, chosen from participating artists in the Studio’s international exhibitions, or they may apply using the application form and providing visuals of their work for consideration. (Artists may apply for residencies up to three years in advance.) Many guest artists have been suggested by artists (both within and from outside The Clay Studio) as well as board members. The selection process is based not only on the quality of work, but also on obtaining as wide a geographic spread as possible, maintaining a balance between genders, and an admittedly subjective judgment as to the compatibility of the artist to the very independent structure of the program. The program is also intended to include artists from a variety of stages of career development, from fully accomplished, recognizable names to more emerging younger artists. Please call Artistic Director Jeff Guido at 215.925.3453 x18 or email [email protected] if you have any further questions about a residency at The Clay Studio. Download an application [PDF, 49K]

Catch it before it’s gone – Biophilia exhibition by Xanthe Isbister


Find out more about the Medalta Historical District here.



Xanthe Isbister was born and raised in Winnipeg, Manitoba. She received her Bachelor of Fine Arts Honors degree from the University of Manitoba in 2004, and her Master of Fine Arts degree from the University of Nebraska-Lincoln in 2008. Following her graduate studies, she had the opportunity to live and create work in a studio in Roswell, New Mexico. Since moving back to Canada, she has had the opportunity to teach at the Winnipeg Art Gallery and the University of Manitoba. Most recently she was awarded a Special Opportunities Grant from the Manitoba Arts Council and attended the year long residency at the Medalta International Artists in Residence in Medicine Hat, Alberta. She has exhibited both nationally and internationally including the National Council on Education for Ceramics Arts, the Alberta Craft Council and is creating work for an exhibition at the Gardner Museum in Toronto, Ontario this coming fall, 2011. www.xantheisbister.com.

Chinese Whispers by Johanna De Maine


Kerrie Lowe Gallery

49 – 51 King Street, Newtown NSW 2042 Australia
Phone + 61 2 9550 4433 / Fax + 61 2 9550 1996
Hours 10am – 5.30pm Mon-Sat / Thurs till 7pm
The Kerrie Lowe Gallery specializes in contemporary ceramics as well as painting, printmaking, jewellery and sculpture. We also support the ceramic community by providing Sydney’s only inner city outlet for ceramic supplies.
Located at the Sydney University end of King Street, our usual schedule features two concurrent exhibitions; one in the Shopfront Gallery and one in the Small Gallery.