A way to help in the midst of the devastation in Australia.

This is Gabrielle and Dan of Bandicoot Pottery.

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Based in the gorgeous town of Cobargo, they along with so many, have had their lives turned upside down in the recent fires in New South Wales. Their pottery studio and all the stock in it was destroyed on New Year’s Eve. This was their workplace, their business, their livelihood.
While their home is insured, the studio was not and they need help to rebuild.

Before the fire (taken in November 2019)
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After the fire (taken 1st of Jan 2020)
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Gabrielle and Dan not only lost the building and stock, but also their pottery wheels and all the equipment that they have built up over the last 30 years. Please donate what you can, so we can help them get back on their feet.

This is a story in progress and will be updated as we get more information from them. Currently they have no power or fuel and limited mobile coverage. The whole community is still in a lot of danger.

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movie day: Hitomi Hisono reinterprets Wedgewood classics with Japanese aesthetics.

 

Hitomi Hosono explains how she combined British and Japanese aesthetics to create a collection of ceramics for Wedgwood in this video Dezeen filmed at their factory in Stoke-On-Trent. Hosono, a ceramicist from Japan known for intricate porcelain pots featuring botanical forms, designed the collection in collaboration with Wedgwood, after being invited to take part in the brand’s artist in residence program. The collection is comprised of vases, bowls and ornamental boxes in an unglazed matte finish typical of Wedgwood’s signature Jasperwar – a kind of stoneware developed by the brand’s founder Josiah Wedgwood in the 18th century. Jasperware products typically employ relief decorations of human figures and natural forms known as sprigs, which are cast in clay molds and added to the pots. “Sprigs are like thin leaves made of clay,” explains Hosono in the interview. “I chose jasper sprigs from Wedgwood’s archive and applied them in a new way on the pots, with a Japanese aesthetic.”

Read more on Dezeen: https://www.dezeen.com/?p=1231065