Call for papers: Tchotchkes in the White Cube: Exhibiting Craft and Design in the 20th century

Conventional art institutions such as museums and galleries have had problematic relationships with three-dimensional utilitarian objects since their inception. As several scholars, including Ruth Phillips and James Clifford, have argued, conventional displays deprive objects of their functionality and turn them into highly anaesthetized fetishes of high culture. The notorious notion of the modernist white cube has often been challenged and debunked by craft and design practitioners as unsuitable and denigrating for exhibiting utilitarian objects. The present collection of essays seeks to address the problematic relationship and possible solutions of the conventional exhibition strategies which may include participatory happenings or alternative exhibiting venues.
Submissions which deal with less conventional methods of display in such venues as craft fairs, commercial galleries, department stores, artists’ studios, and life demonstrations are highly welcome. This collection will try to analyse the following ideas and questions: how craft and design displays contributed to the rethinking of the notional white cube and have helped to come up with alternative strategies for display and public engagement; how touch and texture are two of the most pivotal issues of the production of craft objects; how tactile experiences have been conveyed in different situations and venues, for examples those which have or have not included the opportunity to touch the objects. How have the performative aspects of craft and design production help to attract audiences to museums and exhibitions? How have the relationships between artists and curators changed through the twentieth century, and why? What are the many roles of the media in the display of the craft and design products?
Original previously unpublished contributions of between 5,000 and 7,000 words including footnotes and bibliography are welcome, as well as interviews with craft practitioners and curators. The latter should be between 4,000 and 6,000 words.
The deadline for abstracts (max. 500 words) is 1 November, 2011.
The deadline for chapters will be June 1st, 2011.
Please send abstracts and CVs by e-mail to Dr. Alla Myzelev, [email protected].

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British Ceramics Biennial and Ceramic Review Writing Prize

CR Writing Prize This year Ceramic Review is launching a new prize inspired by the British Ceramics Biennial to discover and stimulate new writing on ceramics. Entrants should write a short text that explores the BCB, Stoke-on-Trent’s ceramic heritage, or ceramics in general. Entrants are encouraged to be critical, theoretical, or experimental in their approach, and can submit up to 650 words. Writers, makers, and artists from all backgrounds are invited to submit their text to [email protected] by 13 November 2011. The winning entry will be published in an upcoming issue of the magazine and the winner will be awarded a two-year subscription. Bonnie Kemske, Ceramic Review Editor, explains the idea behind the prize: ‘People will always, and have always, talked about ceramics. With this prize we hope to give a greater voice to these discussions and to encourage a more critical approach and appreciation of the medium. Reviews, critical analysis, a short story, or a poem – we want to read it all.’ Guidelines for entry Entries should explore the BCB, Stoke-on-Trent’s ceramic heritage, or ceramics in general, and the competition is free to enter. Submit entries to [email protected] by 6pm on 13 November 2011. Entries should be by email only. Include your name, address, telephone number, and also the title of your entry in the body of the email. Do not send the entry text in the body of the email. Your submitted text of up to 650 words (poems can be no longer than 60 lines in length) should be sent as a Word document attachment to the email, headed with the title of the piece. No personal details should be included in the entry, but must be in the body of the email. You may submit one supporting image with your text; this should be submitted as a high-resolution digital image (300dpi) saved as a Jpeg, TIFF, or Photoshop file. You will receive confirmation of your submission via email. There is no restriction on the form or genre of your entry: we will accept poetry, short fiction, critical analysis, reviews, or experimental writing. All entries should be written in English, although the competition is open to international submissions. Entries should not have been published or accepted for publication elsewhere, including blogs, websites, and other social media, and not under consideration in any other competitions at time of entry. No corrections can be made after receipt of your entry. Eligibility You may submit either as an individual or as part of a collaboration, but each entrant may submit just one entry. There is no age restriction. The Judging Panel The Ceramic Review editorial team, and Amanda Fielding, independent curator and writer, and regular contributor to Ceramic Review. Prize There will be one overall winner to be notified by 30 November 2011. The winning entry will be published in a related issue of Ceramic Review by July 2012. The winner will also receive a two-year subscription (12 issues). Disclaimer The judges reserve the right not to select a winning entry if, in their opinion, no works entered reach a sufficiently high standard. The judging panel may select runners-up at their discretion and this may lead to publication. The judges are unable to comment on individual entries and cannot offer feedback. Copyright of the winning entry remains with the author, but Ceramic Review reserves the right to publish the winning entry/entries in its magazine and on its website, as well as retaining unrestricted rights to use the winning entries and any related material for PR purposes. Entries submitted posthumously will not be eligible. The judges’ decision (both as to eligibility and the winning entries) shall be final.See the website here.

Call for papers: A World in Making: Cities Craft Design

craft + design enquiry is pleased to announce a new call for papers for the fifth issue of the journal to be published in 2013.Guest Editor, Suzie Attiwill is calling for papers for this on the theme of A World in Making: Cities Craft Design as outlined below.On 12 March 1913, a naming ceremony took place in an empty paddock on a hill. This rural environment was to become a city, the capital city of Australia, the city of Canberra. The aspirations and the projections of the Griffins’ winning design for Canberra are an example of a world-in-making involving the practices of design and craft. This issue of craft + design enquiry will be published in 2013 – 100 years after this event and when, for the first time in history, more than half the world’s population live in cities. By 2030, this will increase to at least 60% with significant growth happening in cities of developing countries and the emergence of meta-cities with 20 million inhabitants. ‘The twenty-first century will be known as the century of the city’.1 This next issue of craft + design enquiry will focus on and highlight the role, contribution and potential of craft and design practices to the urban environment as well as the transformation of these practices – a world in making. ‘The thing is what we make of the world. … Things are our way of dealing with a world in which we are enmeshed rather than over which we have dominion. … It is our way of dealing with the plethora of sensations, vibrations, movements, and intensities that constitute both our world and ourselves’ … ‘We make objects in order to live in the world’.2 Situated in a journal published by Craft Australia, the nuances of craft – a practice which values making and materiality – will guide the selection of papers for publication. This emphasis on craft does not exclude design so much as bring focus to practices of design which engage ideas of making and materiality, where there is a sense of a hand(s) in making, a valuing of haptic encounters and an attention to the relation between people and surroundings. From small to large scale projects, from individuals to communities, an intimate approach to the question of how people inhabit and transform the urban environment is invoked. What are the potentials in this century of the city for craft and design practices? What is the contribution of craft and design to cities and liveability? What might a craft sensibility bring to urban inhabitation? What of an expanded idea of craft practice as a way of working and thinking which addresses spatial and temporal urban conditions? What of the emergence of new forms of practices to engage in the condition of the urban environment and the social, political and cultural forces of the twenty-first century?
Academics, practitioners, research students and others are invited to submit research papers and critical project works. A definition of research as ‘the creation of new knowledge and/or the use of existing knowledge in a new and creative way so as to generate new concepts, methodologies and understandings’ 3 is reiterated here to highlight the criticality of ‘new and creative’ in relation to research and to encourage the submission of research through craft and design practice, as well as about craft and design practices situated in a world in making – ‘the century of the city’. Authors are also encouraged to consider the inclusion of visual material as research. This issue of craft + design enquiry will be published in mid-2013. The CDE#5 Call for Papers closes on 30 June 2012.To submit a paper please register online by the closing date of 30 June 2012. Refer to author guidelines for further information.For inquiries relating to this issue or submission of papers, please contact the Guest Editor, Suzie Attiwill Administrative enquiries, please contact Jenny DevesVisit the website here.

2012 Australian Ceramics Triennale – Call for papers and workshops

Adelaide, Australia 28th September – 1st October 2012Call for papers and workshops2012 Australian Ceramics Triennale will provide a platform for discussion, debate and theexchange of ideas amongst local, national and international ceramics practitioners, educators,collectors, critics and cultural theorists.We are now seeking proposals for papers and workshops that explore clay as a subversivemedium capable of challenging artistic, cultural and social norms.Please register your personal interest in the presentation of papers and/or workshops of 1 to 3days duration relevant to the conference theme at [email protected] of particular interest in the field of studio ceramics include:• Art and craft traditions and their interaction with contemporary practice.• Industrial processes and alternative technologies – challenges and research.• Hybrid or cross disciplinary practices and the development of mixed media.• Indigenous ceramics practice – development, academic, personal and cultural.• Critical writing and documentation.• Exhibition practices, public and private – current trends, funding and collecting.Submissions for papers:A 400 word abstract to be emailed to [email protected] for workshops:A one page proposal including time frame and budget to be emailed [email protected] Dates:Abstracts ( for papers and workshops) due: September 30th, 2011 – 5pmNotification of abstract acceptance: October 30th, 2011, by emailFull proposed paper due: February 29th, 2012 – 5pmNotification of accepted papers: March 30th, 2012, by emailFinal paper due: June 30th, 2012 – 5pmSelection of papers: All abstracts and workshop proposals will be reviewed initially by theconference steering committee and then authors will be invited to submit full papers for juriedselection.

Call For Papers

The Art of the Coroplast Speaks: The Story of Archaeology, Art History and the Ceramic Arts

Type: Calls For Papers
Posted by: Angelo State University
Deadline: 09/16/11

We welcome proposals from faculty, independent scholars and advanced graduate students whose research focuses on the ceramic arts. Paper topics that address the theme, particularly submissions that take an interdisciplinary approach to material/visual culture, are welcome. Please send an abstract of no more than 300 words for 20 minute papers with your name, title, institutional affiliation (if applicable) together with a short CV to the conference organizer, Dr. Kimberly S. Busby, [email protected] by Friday, September 16, 2011. The symposium will be held on Thursday, April 19th in conjunction with the Twenty-Seventh Annual San Angelo Ceramic Symposium, April 19-22, 2012 at Angelo State University in San Angelo, Texas.

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