upcoming lecture: Martina Lantin | “Role: Function and Object”

After a more than two-year hiatus due to Covid, the North-West Ceramics Foundation is thrilled to finally be able to present Martina Lantin as their featured speaker. Martina will present via Zoom on Sunday, October 16, 2022, at 1pm PST. The presentation is free and open to all, but registration is required. Please see below for information about how to register.

Born in Montreal, Canada, Martina Lantin received her Master of Fine Art degree from NSCAD University in Halifax. She has participated in residencies in Canada, the United States, Germany, Iceland and China, including the Watershed Centre for the Ceramic Arts in Newcastle, ME; the Arrowmont School of Arts and Crafts in Gatlinburg, TN; and the Liling Ceramic Valley Museum in Liling, Hunan Province, China.

Martina has written for various ceramic publications and edited the 2017 summer issue of the Studio Potter journal. Her work has been included in numerous juried and invitational exhibitions internationally. Recent participation includes Borderline, the Alberta Biennial 2020 and The Pots and Passion of Walter Ostrom at the Art Gallery of Nova Scotia.
Martina Lantin is an Associate Professor at the Alberta University of the Arts.

Martina mines the history of ornament and pattern to explore the mutation and boundaries of functional ceramics through vessels and installations. More recently, her exploration of adaptation and change has engaged emergent technologies as a method of production. In her talk “Role: Function and Object,” she will share new works produced during recent residencies in Iceland and Germany and discuss the evolution of her practice. Her talk will take place on Zoom on October 16, 2022, at 1pm. Registration is required.

To register, please click on this link, which will take you to a sign-up form. We look forward to seeing you there!

For more on Martina Lantin , please see her website 

To receive periodic email updates about upcoming NWCF events, please see here.

Online course with Jacquie Blondin

The Hand Building Basics online course starts next week and runs Oct 4-Nov 29.

It’s the perfect course for beginners and throwers looking to expand their hand building techniques.

It’s not too late to join.

PS participants should have access to a kiln to get the most out of this course.

Let me know if you have any questions. I’d be happy to help you.

🔗Course info – click to learn more

https://courses-with-jacquie.thinkific.com/courses/hand-building-basics-fall-2022

Or go to https://jacquieblondin.com/pages/workshops-and-classes

new online resource – BC Ceramic Marks Registry

“BCCMR is an ongoing project, and is always accepting submissions. If you are a BC ceramicist and want to submit mark images, biographies, or send in a correction, we welcome you to use our submission forms. Don’t be shy.

Please note that we are including marks with unknown makers, as well as makers on whom there is limited information. As such, some entries may be incomplete, and new information is welcomed. BCCMR is a growing project that is operated by volunteers. We are actively fact-checking the biographical entries, but cannot promise absolute accuracy. Please feel welcome to contact us with any concerns, or submit a correction. Note that BCCMR is not a valuation or authentication tool, and is for research purposes only.”

Find out more and add yourself to the registry: https://craftarchive.ca

job posting: Educational Art Technician, Ceramics

The Alberta University of the Arts (AUArts) is looking for a skilled and experienced Educational Art Technician, Ceramics to provide excellent studio support for faculty and guidance to students of the School of Craft & Emerging Media.

This is a permanent full-time position starting September 2022. Hours of work are 35 hours per week.

Why AUArts?  Alberta University of the Arts rests on the traditional Treaty 7 Territories of the Blackfoot people and in the spirit of our collective effort to promote reconciliation, we acknowledge the traditional territories and oral practices of the Blackfoot Confederacy, which includes Siksika, Piikani and Kainai, the Tsuut’ina, the Stoney Nakoda First Nations (Bearspaw, Chiniki and Wesley), Metis Nation Region III, and all those who make their homes in the Treaty 7 Region of Southern Alberta. AUArts is a community of thinkers, shapers, makers and risk takers. We are students, faculty, staff and alumni rich in diversity of culture and thought, challenged to fearlessly explore what moves us, drives us, and implores us to see the world differently.

The Alberta University of the Arts offers its 1,100 students studio-based programming that leads to a Bachelor of Fine Arts in one of nine disciplines, a Bachelor of Design in one of two, and an MFA in Craft Media. It has deep roots in Calgary’s creative community and will soon be celebrating its centennial.

The Opportunity (Competition #2122-JU-AP-32)

Reporting to the Studio Manager, the Educational Art Technician (EAT), Ceramics provides support to the School of Craft & Emerging Media through general supervision oversight of the studio facility, equipment, processes, tools, and materials to ensure both safe and effective instructional support during class time and to ensure adherence to standard operating practices to support student studio practice during general facility access hours.

Key Responsibilities:

  • Conducts demonstrations, training and orientation for faculty, students and staff on standard operating practices for the uses of equipment, processes and materials handling, including daily clean-up and equipment/materials storage.
  • Monitors and oversees shop, studio and home studio spaces and advises on safe and appropriate practices and etiquette for all facility users including daily clean-up and equipment and materials storage.
  • Advises students with respect to program-related technology, equipment, processes and materials to meet curricular objectives.
  • Works in consultation with colleagues to maintain current documentation of standard operating procedures, studio etiquette respecting the University’s health and safety policy and program and ensuring quality student and instructional experience.
  • Under the direction of the Manager, provides scheduling, training and supervision support to casual and student employees.
  • Provides training and orientation for non-credit instructors as required.
  • Maintains open studio hours to provide students with access and support for studio processes either under general supervision or by appointment as required.
  • Monitors inventory and coordinates purchases of equipment, tools, materials and supplies through operating and capital budgets.
  • Provides guidance and support for the installation of student work for end of semester critiques, exhibitions and institutional events.
  • In consultation with faculty, researches and maintains currency in processes, equipment and materials to complement instruction, meets occupational health and safety requirements, designs and constructs equipment for application as required, and maintains program technology in coordination with Computer and Technical Services and maintains software currency as required.

The successful candidate will have: 

  • Minimum 4-year Diploma or Baccalaureate Degree in fine art or design with a relevant subject area specialization. 
  • Minimum of 3 years’ experience as a practicing artist or technician, with knowledge of relevant studio practices and experience in training students. 
  • Demonstrated proficiency with ceramic technologies, including 3D modelling printing and decal printing.
  • Demonstrated proficiency with electric and gas kiln operation (reduction, oxidation and soda), hand building and wheel techniques, glaze technology, studio and equipment maintenance, clay reconditioning, slip casting, and mold making
  • Experience with wood and metal fabrication.
  • Proficient with Microsoft Office, Rhino and Adobe Creative Suite applications.
  • Current First Aid certification is an asset.
  • Excellent communication skills with ability to provide constructive support, guidance and mentorship to students, faculty and staff.
  • Excellent organization and planning skills, meeting multiple deadlines and commitments. 

This position works in a studio environment which includes contact with hazardous materials, equipment and resulting dust and noise. Heavy lifting of up to 50lb of material is required occasionally. Personal protective equipment is required for operation of certain equipment and processes. 

As a member of the AUPE bargaining unit (Local 071/006), this regular full-time position falls under a classification seven (7). The starting annual salary is $59,836 – $66,336 dependent upon skills, education and experience. 

How to Apply

Applications must include the following in a SINGLE PDF DOCUMENT:

  • Cover Letter
  • Curriculum Vitae / Resume

Please upload your single document to the “Resume” section – do not upload any documents to the “Cover Letter” section. You will be required to create an account in order to submit your application. Please visit our How to Apply page to ensure your application is complete prior to submission. 

Applications will be accepted until July 1, 2022 with interviews to be held in late August. While we thank all candidates for their interest, only applicants selected for an interview will be contacted.

Further information about AUArts is available on our website at www.auarts.ca.

AUArts is committed to ensuring the health and safety of all University Community Members while on campus. For specific information and updates please visit our website.

AUArts is an equal opportunity employer and is strongly committed to fostering diversity within our community. We welcome those who would contribute to the further diversity of the university. We encourage expressions of interest from all qualified applicants for consideration for this or other suitable vacancies although applications from Canadian citizens and permanent residents will be given priority.

The collection of personal information is for the purpose of determining eligibility and suitability for employment as authorized by the Freedom of Information and Protection of Privacy (FOIP) Act, section 33(c). If you have any questions about the collection of your information, please contact our FOIP Coordinator at [email protected].

Online Talk: Canadian Ceramics

Join us for a fascinating online panel discussion with experts and artists working in ceramics today.

About this event

Canadian ceramic artist Greg Payce joins Professor Paul Greenhalgh and Dr Claudia Milburn.

Greg Payce lives in Calgary, Alberta, and was Professor of ceramic at ACAD for decades, before stepping back to concentrate purely on his work. Through the decades he has developed a superb form of trompe l’oeil that is entirely his own, in which thrown vessels, sometimes in pairs, sometimes in rows, appear to have standing figures between them. In his work, people fill the voids. Greg’s work is currently on show in the Long Gallery at Messums Wiltshire.

Paul Greenhalgh is Director of the Zaha Hadid Foundation, and Professor Emeritus of Art History at UEA (UK). Previous roles include Director of the Sainsbury Centre (UK), President and Director Corcoran Gallery of Art (Washington DC), Head of Research, V&A Museum. He is academically a specialist in Modern art, design and architecture, and he has always maintained an interest in the ceramic arts, and on the history and theory of museums and exhibitions. He has curated many exhibitions and lectured all over the world.

Claudia joined the team at Messums Wiltshire in 2021, having previously worked in museums and galleries for over a decade. Claudia was Head of Exhibitions and Collections at Pallant House Gallery in Chichester and Curator at the Sainsbury Centre in Norwich. She holds a Masters in Drawing from Norwich University of the Arts and a Bachelors in English and American Literature from the University of East Anglia, where she also completed her doctorate in Art History.