job posting: Ceramic and Print Media Studio Technician Kwantlen Polytechnic University – Surrey, BC

Competition Number: 

16-87R
Close Date: 
August 1, 2016
LAB TECHNICIAN – FINE ARTS, FACULTY OF ARTS – Competition Number 16-87R
Kwantlen Polytechnic
University seeks a highly motivated, organized individual with proven
experience with technical Fine Arts support in a post-secondary
education environment to join our Fine Arts Department as a Lab
Technician for the Faculty of Arts.  This
fulltime regular position is scheduled for five workdays per week
starting September 2016. The salary is starting at $45,150.20 annually.
Qualified candidates
will have completed a Bachelor of Fine Arts or equivalent combination
of education and experience from a publicly accredited
post-secondary institution with experience and knowledge of the
techniques and safety aspects involved with: print making &
ceramics. Prior experience assisting in a Fine Arts department at a
post-secondary institution is required. Preference will be given
to applicants with active involvement in the local art community and
experience in promoting and developing strong workplace communications
and processes.
Please forward your résumé, including photocopies of post-secondary transcripts,
quoting the competition number 16-87R by August 1, 2016 to: [email protected]

 

Print seminar 2012

The Guldagergaard Seminar on Printed Ceramics

Ceramics and Print, Art and Politics, Surrealism and Fashion, Design and Production…
In the twenty years since the first edition of Paul Scott’s handbook Ceramics and Print appeared,
printed surfaces have become commonplace in contemporary practice. To
co-incide with the imminent publication of a completely new edition of
the book, Guldagergaard is proud to host a seminar involving leading
figures in the field.
The seminar takes place at ICRC Guldagergaard October 26th-27th 2012 and will be chaired by Professor Paul Scott (KHIO, Norway), artist and author.
2 days seminar fee is DKK 2850 (including lunch and coffee both days)    
2 days seminar fee for members DKK 2550 (including lunch and coffee both days)                     
2 days student price is DKK 950 (including lunch and coffee both days)
1 day seminar fee is DKK 1650 (including lunch and coffee)
Invited speakers include:
Professor Stephen Dixon (UK) is a Research Centre
Leader, Crafts at MIRIAD (Manchester Institute for Research and
Innovation in Art and Design) and is well known for his investigations
into ceramic print processes  as well as his political works.
Charlotte Hodes (UK) is Reader in Fine Art at the
London School of Fashion. She has worked in a variety different media,
including paper, textiles and ceramics. She made a significant body of
work with the Spode Factory before its closure and is working with Paul
Scott on new research proposals for the Spode Archive.

John
Kindness (IRL) is an Irish visual artist who works in a variety of
media. In 1999 he completed a huge commission “The Big Fish” for
Donegall Quay in Belfast. Clad in lithographically printed porcelain
tiles the artwork has become a well known and loved feature of Belfast’s
redevelopment and renewal.

Megumi Naitoh (USA) is an emerging American artist
working with serigraphy. Her subject matter is sourced from cyberspace,
collaged with personal imagery. Her artwork plays with surface, media,
technology and our perceptions of them.
Paul Scott (UK) is Professor 2 at Oslo National
Academy of the Arts (KHIO) in Norway. He is well known for his
pioneering research into the graphic development of ceramic surfaces,
his characteristic artwork in blue and white, his writing and his
teaching.
Richard Shaw (USA) is based in Berkeley California.
He is best known for his pioneering, surreal, trump l’oeil sculptural
forms. He has been a significant figure in American ceramics for over
forty years and has been hugely influential in the development of
ceramic arts on an international level.
Ane-Katrine von Bülow (DK) is one of Denmark’s
leading ceramic artists. She has long worked with form and the graphic
surface, mixing digital mapping with low-tech paper transfer print
processes.
Matthew Raw (UK) has been a regular resident artist
at Guldageraard over the past 5 years. His impressed ceramic artworks
are variously political and commemorative in nature. In 2011 he
completed a commission for Elvaerket in Dahish town Holbaek. Matthew
will be working at Guldagergaard over the summer of 2012 and will be
presenting some of his works at the seminar.
And also make sure to add Paul Scott’s new book to your Christmas wishlist. Ceramics and Print – a completely new edition will be published in December 2012.

Arrowmont Workshop: Charlie Cummings


Clay: An Interdisciplinary Medium in the Digital AgeJune 26th – July 2nd, 2011

This summer Charlie is teaching an exciting workshop at Arrowmont School of Arts and Crafts. During the workshop we’ll use Photoshop and printmaking processes to create images for every step in ceramics -wet clay to fired glaze. We’ll even use underglazes to create monoprinted photographic images like the one below. There are only a few spaces left in the workshop, learn more on the Arrowmont website. Questions about the workshop? Send them to [email protected]

Charlie Cummings ceramic monoprint
Ceramic monoprint, porcelain, underglaze, 12 x 10 inches.

Call for submissions – 500 Prints on Clay

Lark Ceramics is publishing an exciting new ceramics book in our “500” series, and we would like you to submit images for consideration.

Paul Andrew Wandless, author of Image Transfer on Clay, will jury 500 Prints on Clay, a 420-page, full color survey of typography, lettering, drawings, and photographs applied to clay. This international collection will be beautifully presented and widely distributed throughout the world in Spring 2013. We welcome outstanding ceramic works that feature image transfer techniques. Ceramic pieces may be created with any type of clay and employ techniques including: screening, monoprinting, stenciling, stamping, relief printing, and decals. Artists whose work is selected for inclusion will receive full acknowledgment in the book, a complimentary copy, and discounts on the future purchase of books. Artists retain copyright to their work. Lark accepts high-quality digital images. No entry fee is required. Submissions must be postmarked by September 15, 2011. Detailed entry guidelines and permission forms are included on the 500 Prints on Clay Entry Form, which can be downloaded here. Please mail your submissions to: Lark Crafts/500 Prints on Clay 67 Broadway Asheville, NC 28801 USA Attn: Dawn We look forward to seeing your work!