call for entry: Eighth Annual Cup Show – Form and Function

Gulf Coast State College Amelia Center Gallery is hosting a
juried exhibition that explores the idea of the drinking vessel. The exhibition
will focus on the function and concept of the drinking vessel – including its
relation to history, politics, craft, technology, utility, and narrative. The
exhibition will be a survey of the wide variety of approaches to contemporary
ceramics through the lens of the most intimate and accessible vessel – the cup.
 

Juror
Born in Montreal, Canada, Martina Lantin received her Bachelor of Art from Earlham College (1996) and her Master of Fine Art from NSCAD University (2009). She has completed residencies at Baltimore Clayworks and Arrowmont School of Art and Craft, and the Watershed Center for Ceramic Arts and taught workshops throughout the United States. Currently, Martina teaches at the Alberta College of Art and Design. Selected as an Emerging Artist by Ceramics Monthly her work has been recognized in numerous juried and invitational exhibitions. Martina has also published articles in both Studio Potter and Pottery Making Illustrated and was the subject of a feature article in Ceramics Monthly in February, 2014. Committed to the joys of working in earthenware, Martina creates functional ceramics through thrown and altered forms. The thin layer of white slip serves to accentuate the construction methods and to invite an exploration of the making process.
 
Eligibility
The exhibition is open to both functional and sculptural work that addresses the idea of “the cup”. Please submit only original work that has been completed in the last three (3) years. Amelia Center Gallery reserves the right to reject any work that is not suitably prepared for exhibition or that differs from the original submission.
 
Entries and Fees
Please submit your entries online via Smarter Entry at https://client.smarterentry.com/acg. Each artist may submit up to three (3) images with the following specifications. Images must be saved as JPG, TIF, or PNG files not greater than 2MB. The longest side should be 1,280 pixels or greater. The files should be titled with the artist’s first and last name and entry number (example: SteveSmith1.jpg). All in one word, file names cannot have special characters. Please do not submit any other materials (CV, resume, statement, etc.). Description Please select your clay body from the drop down menu and include a detailed description of firing and decoration techniques in the Additional Notes window.
Entry Fee there is a non-refundable entry fee of $25 for up to three (3) entries. You may submit additional entries for an extra fee of $5 per image. All fees are paid online via Smarter Entry https://client.smarterentry.com/acg.
 
Notification
Email notification will begin on October 26.
 
Shipment of Work
All artwork must arrive at the Amelia Center Gallery no later than November 10. All shipping and insurance fees to the exhibition will be the responsibility of the artist. Please pack cups in a well-secured package (double boxed), with any special handling/packaging instructions clearly visible. Packaging will be reused for return shipment. The Amelia Center Gallery will pay for return shipping and insurance of all unsold work. 
Our mailing address is
Gulf Coast State College, 
Visual and Performing Arts, 
Attn: Pavel Amromin, 
5230 West U.S. Hwy 98, 
Panama City,
FL 32401-1041
 
Commission
Amelia Center Gallery will receive commission of 30% on all sales.
 
Photography
Amelia Center Gallery reserves the right to photograph works, and use submitted photo materials of accepted pieces for the purposes of documentation, education, publicity, promotion and future grant proposals.
 
Liability
Every precaution will be taken in handling the work. The gallery reserves the right not to exhibit work that is deemed too fragile or not suitably prepared for presentation. Amelia Center Gallery will insure all works for the duration of the show, and return shipping. Artists will be responsible for insuring work in transit to the galley. Submission of work to this exhibition shall constitute an agreement to conditions set forth in this prospectus and permission to reproduce work for the purposes of documentation, education, publicity and promotion.
 
Calendar
Application Due October 19 Show Opens November 20
Notification Begins October 26 Show Closes December 17
Accepted Work Due November 10 Unsold Work Shipped January 8

CAREER OPPORTUNITY: Communications & Marketing Coordinator


SUMMARY

This is a leadership position responsible for planning, developing
and implementing communications, marketing and public relations
strategies for all aspects of Medalta – in the Historic Clay District.
This is a fast-paced position that requires management of multiple
projects and the ability to make quick, well-informed decisions within a
team environment.

Reports to: Executive Director

MAJOR DUTIES AND RESPONSIBILITIES

Develop and implement a comprehensive marketing plan to ensure that
the organization’s programming is delivered to the widest possible
audience. All communication will be layered to address local, regional,
national, and international audiences.

Develop a comprehensive integrated sales strategy for the organization’s various business units.

Plan and undertake cooperative communications and public relations
projects, such that the various publics are kept informed about
activities and developments at the various sites within the Historic
Clay District.

Oversee the major annual fundraising event (Medalta’s Black &
White Gala), including sponsorships, ticket sales, auctions and event
coordination

Work with the Fundraising Team to ensure there is clear, efficient
communication with the public about the donor programs. Continue to
develop and manage the Medalta and Historic Clay District brands.

Plan and implement special events for the District in cooperation with other members of the Medalta team.

Develop metrics to adequately monitor the success of the programming.
Establish and maintain partnerships and relationships with local media,
organizations and business to meet approved communications and
marketing goals.

Undertake related tasks and projects consistent with these responsibilities, as assigned.

NECESSARY TRAINING AND EXPERIENCE

Diploma or Degree in Public Relations, Marketing, or related discipline

At least five (5) years successful experience working in advertising, media relations, publicity or a related field

Experience in the not-for-profit and museum environments are considered an asset

Experience in developing community partnerships

An equivalent combination of training and experience may be considered

NECESSARY KNOWLEDGE, ABILITIES AND SKILLS

Excellent written, oral and presentation skills, along with strong
interpersonal skills and the demonstrated ability to establish effective
working relationships with the public and team members.

Excellent organizational skills and highly developed computer skills consistent with the position.

Knowledge of and experience in graphic arts or advertising design is considered an asset.

Knowledge of the ceramic arts process is considered an asset.

Ability to work comfortably in an environment that requires fast and high-quality output.

SALARY / CONTRACT RANGE

Commensurate with experience; negotiable; permanent staff position, following three month probationary period.

APPLICATION METHOD

Interested applicants, please provide a detailed resume along with three professional references.

Resumes will be accepted until October 28, 2015 at 4:00pm MST

Attention: Laurie Switzer

Email: [email protected]

Mail: 713 Medalta Ave SE • Medicine Hat, Alberta • T1A 3K9

Fax: 403.580.5868

http://medalta.org/communicationscareer15

movie day: The Successor of Kakiemon (trailer)


The Successor of Kakiemon from Submarine on Vimeo.

‘The Story of the Kakiemon Porcelain Dynasty’

How does one take over a company that is four centuries old and has
been run by one’s father, his father’s father and so on. Here is the
unique story of such a time capsule where we witness how a modern-day
Japanese family that has transformed everyday pottery into the world
famous mythical Kakiemon porcelain and preserves its traditions, now
passes on the leadership to their only son. Is he up to the task that
lies ahead? What’s at stake if this successor does not succeed?

Kakiemon, one of the most refined types of porcelain, was developed
in the 17th century by ceramist Sakaida Kakiemon. Today, the production,
entirely handmade and handpainted is still owned by his direct
descendants. Keeping this tradition alive is more than just reproducing
craft. It is somewhat a statement against modernity end massproduction.
After periods of isolation and expansion, wars, nuclear bombs and now a
devastating earthquake, this Japanese family is clinging to tradition –
no matter how fragile it is.

submarine.nl/kakiemon

last few days to catch The Cup Collaboration online

Still a few lovely cups up for grabs!
www.thecupcollaboration.bigcartel.com
adrianachristianson.com.au/page/the-cup-collaboration 

Participating Artists: 
Ayumi Horie USA & Sophie Moran AUS

Katherine Wheeler AUS & Marina Pribaz AUS

Sandra Bowkett AUS & Janetta Kerr Grant AUS

Kathryn Mitchell IoM & Niharika Hukku AUS

Ana Maria Jensen AUS & Adriana Christianson AUS

Shannon Garson AUS & Vanessa Lucas AUS

Diana Fayt USA & Linda Fahey USA

Carole Epp CAD & Jenna Stanton CAD

Jane Sawyer  AUS & Frida Birkic AUS

Bridget Bodenham AUS & Jo Ruchel AUS

Whitney Smith USA & Erinswindow AUS

Vicki Grima AUS  & Aleida Pullar AUS

Katie Jacobs AUS & Mariko Paterson AUS

Joey Burns AUS & Zak Chalmers AUS

Yen Yen Lo AUS & Vanessa Holle AUS

Angela Walford AUS & Sue McFarland AUS

For all enquiries

contact –

Adriana Christianson

[email protected]

 

Chandra Debuse exhibition – Fair Shares

#CollabColoringJar 2015
Wheel thrown midrange red stoneware, slips, sgraffito, colored pencils, crayons
Gallery
goers are invited to collaborate by adding color to the jar.  Those who
snap a photo of their contribution and post it to instagram with the
hashtag #collabcoloringjar and tag @chandradebuse, are entered in a
chance to win the jar at the end of the exhibition November 20th.
 

Dream Wreckers Platter, 2015
18″x12″x4″
Handbuilt red stoneware, hand drawn illustration, slip, sgraffito, inlay, underglaze, glaze, various washes
Fair Shares Gallery View
Platters and Jars pictured
 
 
Wall Flowers, 2015
5.5 feet x 4 feet x 4 inches
Ceramic and mixed media