job posting: Indigenous Curator Public Art Calgary

by | Jun 11, 2020 | job posting

We are seeking an Indigenous curator to play a key role in developing and implementing opportunities for artists and help build relationships with Indigenous and non-Indigenous communities in and around Calgary.

The Indigenous curator will work in close collaboration with the Moh’kinsstis Public Art Guiding Circle, Public Art Program staff, and the Indigenous Relations Office to bring Indigenous knowledge, histories, cultures, languages, traditions, worldviews, and ways of knowing to The City.

This person will support, lead, and implement plans related to acquisitions, commissions, projects and programs.

The competition will be open from June 8 to July 20, 2020. More information on how to apply can be found at calgary.ca/publicart.

For questions or submissions, email [email protected].

Eligible submissions will contain:

  • A response to the application criteria on page five of the call for Indigenous curator with the following information: A letter of interest describing why this opportunity interests the curator, and how the curator’s background and practice will contribute to this project
  • A resume or curriculum vitae showing applicable examples of work in related area and educational experience.

Submission Deadline: July 20, 2020, 4:30pm

monday morning eye candy: Alex Anderson

by | Jun 8, 2020 | monday morning eye candy

From the Press Release for the exhibition:

“At the core of Anderson’s current body of work is a philosophical, existential examination of identity politics; based in Los Angeles, the 30-year old gay, Asian-African American sculptor is an artist working against stereotype and racialism rampant in today’s society. By working in an unexpected medium and channeling methodologies surrounding artistic production in ceramic arts, Anderson manages to create fantastic, multifaceted sculptures that are both subversive and whimsical at the same time. Alex Anderson uses the classical aesthetics of western power, which ironically share space with the aesthetics of queer camp cultural production, to translate the structures that govern his lived experience in society and others’ social perceptions of his identities into form. While his work engages with the ceramic canon and draws from the western art historical canon at large, it primarily operates at the core of Post-Blackness. Anderson’s method of production directly corresponds with current aesthetic and artistic practices and ideologies surrounding theories of Post-Black art. Working at the intersection of identity politics and aesthetic empowerment, Anderson’s ceramic creations appear charming and playful, but their frivolity is only glaze-deep. The artist’s work layers conceptions about blackness, masculinity, and perception, folding them onto one another until they become inextricably fused together, reciprocating the merging of his own personal lived experiences, historical inheritance, and conscious self-awareness as his artistic point of departure.” continued HERE.

Please view all works from the exhibition HERE.

And follow Alex Anderson on Instagram.

www.alexandersonceramics.com