Black Lives Matter Raffle

From Brett Kern’s Instagram. Please head over to his feed for more information.

ENDS TODAY!

“Here we are… The raffle ends in 12 hours (midnight Pacific time) and we’re sitting at $49,643. I can’t believe it….We’re gonna hit $50k!!! Never in my wildest dreams did I imagine these posts would encourage 50 thousand dollars in donations. Thank you for blowing my mind and making me believe that humanity actually may have a shot at fixing this shit.
If you haven’t donated yet, or you’re still on the fence, this last set of incentives is GUARANTEED to knock you right off of it! So lets see how high this number can go!! Remember…all you have to do to enter the raffle, is donate to any charity supporting the Black Lives Matter movement and send your receipt to [email protected]. All NEW entries must have receipts with today’s date of 6/6. Anything that had already been submitted before today is still eligible to win any of the prizes.”

 

Studio Potter Online Event Calendar!

Do you have a Virtual Ceramics event or are you looking for one?  Introducing the SP Events Calendar.  In reaction to the multitude of ways our Ceramics community has come together virtually, we have created a common place for online lectures, openings, and events to be listed.  Please share your event on the SP Events Calendar, and use it to find events to attend. It’s completely free to list and view for everyone.

 

job posting: Emily Carr Assistant or Associate Professor in Ceramics

Emily Carr University of Art + Design invites applications for a full-time tenure track Assistant or Associate Professor position in Ceramics within the Audain Faculty of Art. Situated on unceded, traditional and ancestral xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish), and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) territories in Vancouver, Canada, Emily Carr University is a world-renowned learning and research community dedicated to the education of artists and designers.

The Ceramics area at Emily Carr University focuses on developing critically engaged and contextually aware ceramic work. Situated within the interdisciplinary Visual Arts BFA in the Audain Faculty of Art, the Ceramics area fosters the development of student practice within the context of contemporary art discourse, with a strong technical and conceptual foundation, and a keen awareness of the relationship between ceramics and a range of disciplines and practices.

SUMMARY OF RESPONSIBILTIES

Candidates should be able to teach ceramics at multiple levels, from Foundation to Graduate Studies, and will be expected to contribute to developing curriculum in an institution that is committed to the interrelation of theory and practice. The successful candidate will join a rigorous and committed team of Art faculty that also includes the following curriculum areas: Ceramics, Painting, Photography, Illustration, Drawing, Print Media, Sculpture + Expanded Practices, New Media + Sound Arts, Performance, Interdisciplinary Visual Art and Praxis, as well as minors in Curatorial Practices and Art + Text. Candidates should be equally fluent in contemporary ceramics discourse and studio practice and in balancing the conceptual, aesthetic and technical demands of the discipline. Additionally, faculty are expected to participate in portfolio reviews, upper-level critiques, provide graduate student supervision, serve on administrative committees, engage in research, and to be an active member of the Emily Carr community. The successful candidate will have an active artistic research practice and a substantial exhibition and/or publication record with a solid, demonstrable foundation in ceramics. The successful candidate will have an established career profile and be active in national and international contexts.

QUALIFICATIONS

The ideal candidate will have

    • • Master of Fine Arts degree (or terminal degree in related discipline);
      • minimum of two years of related post-secondary teaching experience that includes proven experience in curriculum development;
      • strong evidence of excellence in ceramics practice;
      • expertise in a range of traditional and contemporary methods of making; and
      • significant evidence of active engagement with discourse within contemporary ceramics practices, histories and theories of ceramics, and more broadly in contemporary art discourse.

Candidates will have:
• expertise in a range of traditional and experimental ceramics techniques, which may include non-Western and/or Indigenous approaches;
• knowledge and ability to teach a range of material processes, including substantial knowledge of ceramic materials and glaze chemistry;
• the ability and interest in developing contemporary and innovative forms of curriculum and enthusiasm for planning and the participation in area responsibilities;
• a practice that may include hybrid and/or expanded ceramics-based work intersecting with other areas such as: sculpture, site-specificity and installation, performance, socially-engaged practice, public art, and other areas of enquiry.

Expertise in the following areas will be considered an asset:
• the ability to integrate new tools, media and methods into ceramics curriculum, including new and emerging technologies, digital 3-D prototyping software and output methods;
• demonstrated ability in advanced model making and mold making, design methodologies and production methods.

Full details HERE.

Everson Object Study: Howard Kottler

Garth Johnson; “Howard Kottler is important to me in SO many ways… but I was surprised to find out when I started at the Everson Museum of Art that he endowed the museum with a fund that allows us to purchase the work of young artists. Join me on Friday, June 5th for a 1pm conversation about Kottler’s life and work with special guests Judith Schwartz and Paul Kotula projects.

As a special treat, I’ll be back at the museum for the first time since quarantine began, and I’ll be showing objects from our collection, as well as “The Old Bag Next Door is Nuts”, which is still on loan from Judith Schwartz. Judy has also unearthed a trove of images of Howard, his work, and his collections that haven’t been seen publicly… at least in a long time.”

Everson Object Study: Howard Kottler
June 5th, 2020 01:00 PM Eastern Time (US and Canada)

Join Zoom Meeting
https://syracuseuniversity.zoom.us/j/94182408046…

Meeting ID: 941 8240 8046
Password: 730837

monday morning eye candy: Baba Wagué Diakité

From his website:

“Wagué had his first solo exhibition in 1988 at the Jamison Thomas Gallery in Portland, Oregon and since has shown in group and solo shows throughout the United States.  His work has received critical acclaim in international magazines such as American Ceramics, Ceramics Monthly, African Arts, and AFRIQUE/Etats Unis.  He taught in the Oregon public school systems through the Art-in-Education, and the Young Audiences program from 1989-2007.  He has traveled throughout the U.S. for author visits and workshops, including the Museum of African Art at University of Iowa, the Holter Museum of Art in Montana, the Los Angeles County Museum of Art, and the Smithsonian Museum of African Art.  He has been commissioned to create poster designs for a number of city-wide art festivals, and was honored to be chosen to create the artworks for recipients of the 1990 Governor’s Arts Awards in Oregon.  In 2001, Wagué created an 84′ long mural and other artworks for Disney’s Animal Kingdom Lodge in Orlando, Florida.   Baba Wagué Diakité is represented by Pulliam Gallery of Portland, OR.

Wagué is founder and director of the Ko-Falen Cultural Center in Bamako, Mali, which enables artists and travelers from other countries to live, meet, study and collaborate with artists of Mali.  The Ko-Falen Cultural Center encourages cross-cultural exchanges through art, dance, music and ceremony to promote a greater understanding and respect between people.  Ko-Falen also manages education programs for youth of artisans in Mali.  Visit www.ko-falen.org for more information.”

www.instagram.com/babawaguediakite/

babawague.wordpress.com