australia update….

Well i guess i can’t delay the sad news anymore, even though i’d like to believe this isn’t actually happening….

I’m deeply disappointed and sorry to announce that I’ve had to cancel my workshops in Australia at the Canberra Potters’ Society and Slow Clay. Sadly I will also be missing the Stepping Up: 14th Australian Ceramics Triennale 2015 coming up in a few weeks.

I’m okay, but due to illness I’m no longer able to travel overseas until I undergo surgery. Basically since ending
up in the ER last friday I no longer have any medical insurance to
cover my trip. Pre-existing condition now, blah blah blah…And with the
potential of needing emergency surgery while out of country I just
can’t risk the financial bankruptcy that such a situation would cause. I
also can’t put my health in jeopardy. My family and our health is
priority. 

I’m heartbroken
to not be returning to Australia. It’s been too long and I miss my
friends and the ceramics community over there terribly. I had been
looking forward to meeting up with many new friends as well, and the
opportunity to present at the Australian Triennale, and the two
workshops alongside Benjamin Carter were going to be such wonderful professional learning experiences for me.

I’m grateful to everyone that supported this trip and helped to
organize things over the last year. To all the participants who had
signed up for the workshops I’m deeply sorry to not be able to be there.
Ben Carter will be going ahead with the workshops solo and to be honest
he’s so talented and generous, with insight into so many of the amazing
artists that play a part of our community, that I would have likely
just gotten in the way. Now you have the wonderful opportunity to hear
and work with Ben without me interrupting with my crazy cat lady stories
: )

And well the slight silver lining on all of this? I stupidly
didn’t get cancellation insurance for my flight, so once all of this
health silliness gets sorted I’ll still have a ticket back to Australia
waiting for me.

Everything for a reason right?
xoxoxo
c


 

Pure and Not-so-Simple: Ceramics Masterclass with Kirsten Coelho

Offered by Slow Clay

Come and be inspired by one of Australia’s exciting and successful
ceramic artists! Kirsten Coelho is an award-winning ceramic artist
who works in porcelain, producing reduction fired works that attempt to
fuse the formal and the abstract.

More recently her work has been influenced by nineteenth and early
twentieth century enamel wares and and the abstracted surface
possibilities these objects can show as they begin to age.

Kirsten Coelho trained in Adelaide at the South Australian School of
Art before moving to the UK in the early 1990’s where she worked for a
number of years in a London Studio.

Since returning to Australia in 1998, Kirsten Coelho has been a
studio tenant at the JamFactory Centre for Contemporary Craft and Design
and completed a Master of Visual Art at the South Australian School of
Art . Kirsten now works from a studio at her home in Adelaide, South
Australia. She was winner of the 2012 Sidney Myer Ceramics Award and is
represented by galleries in London, US and Australia.

Her Masterclass at Slow Clay Centre will be a one-day demonstration
and discussion-based class where participants will be able to access
Kirsten’s considerable expertise and knowledge about porcelain, working
on the potter’s wheel, glazing and building a career in ceramics! All
welcome, no prior experience necessary!

https://weteachme.com/slowclay/pure-and-not-so-simple-ceramics-masterclass-with-kirsten-coelho

call for entry: The 2014 Indigenous Ceramic Art Award (ICAA)

The 2014 Indigenous Ceramic Art Award
(ICAA) applications are now open and Indigenous ceramic artists
from across Australia are encouraged to apply.

The ICAA encourages and stimulates excellence in this sphere,
providing cultural exchange opportunities for Indigenous artists
from around Australia and regional Victoria. This biennial award
exhibition surveys current Indigenous ceramic art practise,
demonstrating current developments in the field, including
contemporary and traditional works. Established under the patronage
of acclaimed artist Dr Gloria Thanakupi Fletcher, this Award
celebrates and supports the rich and diverse use of the ceramic
medium by Indigenous artists and acknowledges the special industry
of ceramic art.  
SAM is a regional Art Museum with a unique focus. It
collects Australian ceramics from the 19th and 20th century and its
ceramic collection is one of the best in Australia. SAM’s
collection of Australian and International ceramics now spans over
3000 works. Due to the Indigenous Ceramic Art Award, SAM now
has a growing collection of contemporary Aboriginal ceramics.

An exciting public program of cultural activities also
accompanies the exhibition and typically includes: ceramic
workshops with artists, exhibition floor talks, ceramic workshops
for children, and ceramic workshops for Indigenous men and
women.

The prizes for the 2014 Indigenous Ceramic Art Award
are:

First Prize $20,000 Acquisitive
Second Prize $10,000 Acquisitive
Encouragement Award (for a Victorian artist) $3,000
Acquisitive

Please note below the following important dates;

APPLICATIONS CLOSE Friday 7th March
2014

ARTISTS ADVISED OF SELECTION Friday 28th
March 2014

DUE DATE FOR DELIVERY OF ART WORKS 5.00pm
Friday 25th April 2014

ANNOUNCEMENT AND OFFICIAL OPENING
Saturday 24th May 2014

CULTURAL PROGRAM WEEKEND Saturday 24th –
Sunday 25th May 2014

EXHIBITION DATES Friday 16th May – Sunday
10th August 2014

ARTWORKS DISPATCHED FOR RETURN TO ARTISTS
From Friday 29th August 2014

 
The Indigenous Ceramic Art Award is proudly supported by major
partners; Sir Andrew and Lady Fairley Foundation, Margaret Lawrence
Bequest and Mr Allan Myers AO QC, and sponsor S & J Rothfield
Family Fund. Shepparton Art Museum is proudly provided by Greater
Shepparton City Council.

Residency Opportunity: Sturt Craft Centre

Sturt Craft Centre
invites applications from experienced craft practitioners to the Sturt
Artist-in-Residence program.  Residencies occur in the craft disciplines
of ceramics, jewellery/metalwork, textiles and woodwork. Four to six
residencies occur at Sturt each year.
Sturt encourages small scale production and individually designed work which may be promoted through Sturt Gallery. 
Each year
professional residencies may be awarded specifically to develop a body
of work which can be produced and made, at Sturt, during the Residency
time.
Sturt sees the
residency program as an important adjunct to its overall aim of
providing support for Australian contemporary craft and design through a
program of teaching, retail, exhibition and residencies. The emphasis
of the residency program will be to support craftspeople and
designer-makers who are sympathetic to this philosophy.
Three categories of residency are available:
• Professional Residency
• Self Directed Residency
• Graduate Residency
All applicants should fill out the Application form and include:
  • A short written proposal, briefly describing type of work to be carried out.
  • Current CV.
  • Images of work relating to your proposal (digital, prints or slides).
  • Any other relevant promotional material.
  • Graduate residents must include a letter of support from a tutor or supervisor.
Applications
for all categories close on the 31 October for positions in the
following year. Successful applicants will be notified in mid December
for positions to take place in the following year.