make and do holiday sale starts tomorrow!
Join us as we celebrate the upcoming holidays with our online sale!
Artists Katy Drijber, Sarah Pike, Naomi Clement, Alexis Templeton, Marney McDiarmid and Carole Epp will all have work available!
Join us as we celebrate the upcoming holidays with our online sale!
Artists Katy Drijber, Sarah Pike, Naomi Clement, Alexis Templeton, Marney McDiarmid and Carole Epp will all have work available!
The MacKenzie Art Gallery was pleased to host, as part of the weekend opening events for Victor Cicansky: The Gardener’s Universe, a panel discussion on Regina artist Victor Cicansky. Cicansky’s artistic universe is firmly rooted in place and in his garden. For over fifty years, ideas for sculptures in ceramics and bronze have grown out of his intimate relationship with gardens, plants and trees. His approach embraces both the immigrant knowledge of his Romanian-Canadian family and more contemporary concerns around urban ecology and environmental sustainability. Rooted in local realities, his work speaks to the wider world of the joys and trials of supporting life in an urban prairie space. Each panelist was invited to present a 15 minute version of their essay to be included in the forthcoming exhibition catalogue. The presentations cover Cicansky’s early days as a student of Jack Sures (University of Saskatchewan, Regina Campus) and Robert Arneson (University of California, Davis), his Funk and Nut-inspired sculptural ceramics, his monumental ceramic murals, his later bronze furniture and his garden. The panel presentations are now available on the gallery’s YouTube channel. Below is the order of the presentations.
VICTOR CICANSKY AND THE GARDENER’S UNIVERSE: A PANEL DISCUSSION
Saturday, June 8, 2019 – 1:00–3:30 pm
Shumiatcher Theatre, MacKenzie Art Gallery, Regina, Saskatchewan, Canada
Welcome – John Hampton, Director of Programs, MacKenzie Art Gallery
Introduction – Timothy Long and Julia Krueger
PART 1 – “Entering the Garden Universe”
An exploration of how Victor Cicansky’s garden imagery engages art, history, community, and environment.
Trevor Herriot – Writer, Regina
“This Garden Universe”
Timothy Long – Head Curator, MacKenzie Art Gallery
“The Whole Earth Romanian Icon”
RESPONSE – a conversation with Victor Cicansky, Trevor Herriot and Timothy Long + questions from the audience
PART 2 – “Troubling Paradise”
An appraisal of how Victor Cicansky has challenged and expanded the definitions of “folk,” “craft,” and “prairie” through his murals, furniture and sculpture.
Susan Surette – Art Historian, Concordia University, Montreal
“Victor Cicansky’s Fine Folk”
Julia Krueger – Craft Historian, University of Western Ontario, London
“Radioactive Fossils and Virtual Gardens: Victor Cicansky’s Craft Redux”
Alison Calder – Poet and Professor, University of Manitoba, Winnipeg
“Victor Cicansky’s Post-Prairie Imaginings”
RESPONSE – a conversation with Victor Cicansky, Susan Surette, Julia Krueger and Alison Calder + questions from the audience
Additional Information | |
Position Description |
Application Deadline: February 28, 2018
Start Date: August 1, 2018
POSITION DESCRIPTION
The Canadian Clay & Glass Gallery seeks a dynamic, inspiring Executive Director to lead this contemporary ceramic and glass gallery as it grows and develops new audiences with greater outreach into the community, and onto the national and the international stage. The Executive Director will work to fulfil the Gallery’s artistic vision, tell its story, advocate publicly for the Gallery and lead development efforts to support the expansion of its programs and to ensure the Gallery’s financial stability.
The Executive Director is responsible for leading and mentoring a dedicated team of staff professionals, and for building strong collaborative relationships with other galleries and community partners, locally and in a wider context. The Executive Director will effectively manage the operation of the Gallery, adhere to Board policy and carry out its strategic vision. The Executive Director will report to a committed and engaged Board of Directors.
ABOUT THE GALLERY
With an emphasis on Canadian artists, the Gallery brings exhibitions to the public that are grounded in craft processes, engaged in contemporary experimentation and meaningful to diverse audiences. By exhibiting and collecting contemporary works in ceramics and glass, the Gallery inspires dialogue, critical discourse and new ways of thinking. The Gallery is committed to supporting artists at all stages of their career, from emerging to established, and actively seeks to feature artists from diverse cultural backgrounds. The Gallery’s media specificity is its distinguishing characteristic and greatest strength. Through exhibitions that address issues relevant to our times and intriguing public programs that engage, educate and inspire, we are accessible to all. The Gallery Shop, a fine-craft gallery in its own right, is an integral part of the Gallery, featuring exclusively Canadian artists from across the country. Having adopted a national mandate in the early stages of its organizational development, the Gallery continues to develop its reputation as a national centre of research, scholarship and artistic excellence.
GALLERY BACKGROUND
The Canadian Clay & Glass Gallery opened in 1993 in a purpose-built, award-winning building designed to showcase contemporary Canadian ceramic and glass art. Now in its 25th year, it has recently undergone a $1.3 million renovation to bring the Gallery to a new standard of excellence. The Gallery is supported by the City of Waterloo, the Ontario Arts Council and the Canada Council for the Arts, along with corporate, foundation and individual funders.
LOCATED IN WATERLOO REGION
The Gallery is located in Waterloo Region, an area of entrepreneurship, collaboration, fresh ideas, innovation, world-class technology, arts activity, economic initiatives and educational excellence on a world-class scale. Waterloo is one of the fastest-growing regions in Canada.
KEY FUNCTIONS
The successful Executive Director will raise the profile of the Gallery locally, nationally and internationally; lead its artistic vision; implement its recently completed Strategic Plan; lead its next level development and fund-raising; lead connections with other galleries; lead the Gallery to more diverse audiences; communicate the Gallery mandate; advocate for the Gallery; incorporate a digital strategy into the Gallery’s offering; and manage all administrative and functional assets of the Gallery.
REQUIREMENTS
Interested applicants are invited to submit, in confidence, a letter of application, and a detailed résumé outlining their qualifications for this position, along with names, titles, and contact information for their three professional references.
Canadians, permanent residents, and/or foreign nationals with a valid work permit will be given priority consideration. The Gallery is committed to employment equity and diversity and encourages applications from culturally diverse persons, Indigenous persons, Deaf persons and persons with disabilities, persons of any sexual orientation, and persons of any gender identity or gender expression.
Applications should be submitted electronically in a single PDF file to the Canadian Clay & Glass Gallery Executive Director Search Committee at: [email protected]
We would like to thank all applicants for their interest in this position but regret that we are only able to personally contact those individuals whose backgrounds best match the requirements of the position.
From their funding page: “We are heartbroken to share that Inspirations Studio is facing imminent closure. For 23 years, the ceramics-based program has supported hundreds of low-income women who have been impacted by poverty, homelessness, addiction, trauma, and mental health issues.
Do you believe in the power of ideas, possibility, and in building community? ACAD is looking for an innovative Educational Art Technician, Ceramics who is excited to contribute to a creative learning environment and provide support to our faculty and guidance to our students in Ceramics.
This position normally has an annual recurring start of late August to end of May and regular hours of work are 35 hours per week.
Why ACAD?
A leading centre of education and research since 1926, ACAD energizes art and design in Canada and internationally. We engage the world, create possibilities, and connect with brilliant minds in all corners of the globe. Above all, we are passionate about art and design and the people who create it. Calgary is our home base – a vibrant, cosmopolitan urban centre, a safe and friendly atmosphere, and outstanding potential for adventure in nearby mountain parks. We hope you will join us at ACAD (where creativity matters).
About the School of Craft + Emerging Media, Ceramics Program
In the Ceramics program students explore the role of function, sculptural approaches, emerging technologies, historical precedents, and contemporary practice within a comprehensive, studio-based and theoretical program of study.
>>Click here to find out more about SCEM, Ceramics Program
The Opportunity
(Competition #1718-SE-AP-06)
Reporting to the Manager, Academic Administration and accountable to the Chair of the School of Craft + Emerging Media and working with the Lead Educational Art Technician, the incumbent provides general supervision and oversight of the facility, equipment, processes and materials to ensure safe and effective instructional support during class time and ensures standard operating practices are followed to support student studio practice during general facility access hours.
Primary duties/responsibilities include:
The successful candidate will have:
Working Conditions
As a member of the AUPE bargaining unit (Local 071/006), this regular recurring position falls under a classification 7 (seven). The starting annual salary is $59,244 – 63,468 dependent upon skills, education and experience, and is pro-rated based on actual hours worked.